The Side Where the Wind Is

Two young children are traveling through all the USSR in order to meet their father who is wounded in the hospital.

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Some of our dearest co-laborers in the gospel and allies in the fight for life, have produced a very powerful movie called, Babies Are Murdered Here. While there are some segments of the movie that don't reflect Living Waters' preferred tone and approach in handling the sensitive subject matter that it addresses, and while there are also specific portions that we would have preferred to be excluded from the production, we, nonetheless, believe very strongly in the film's intended purpose, and would like to encourage every Christian to watch it. Babies Are Murdered Here is raw, it's gripping, it's riveting, and most importantly, it contains a sobering message that needs to be heeded by the people of God all across the world. We believe that it bears the potential to dramatically transform the current landscape in the fight for life through the proclamation of the gospel. We hope that you will join us in spreading this timely film far and wide.

A rich but disliked elderly man invites his relatives to a family reunion at his home. Once the gathering is complete, he announces enigmatically that he intends to change his will before he dies. Before he can do this, he is murdered. His niece (Gynt), a detective story writer, has to put her theories into practice by solving a real-life murder mystery.

Progressive House DJ: Deadmau5 live at Earl's Court in 2011. Tracks: 01. Deadmau5 - Limit break 02. Deadmau5 -- Some Chords 03. Deadmau5 Vs Jelo - The Reward is Cheese 04. Deadmau5 -- Bad Selection 05. Deadmau5 -- Cthulhu Sleeps 06. Deadmau5 -- FML 07. Deadmau5 -- Right This Second 08. Deadmau5 -- Raise Your Weapon (feat. Greta Svavo Beach) 09. Deadmau5 - Arguru (Touch Screen "Holodesk" Perfomance) 10. Deadmau5 -- Sofi Needs A Ladder (feat. Sofia Toufa) (LIVE Performance) 11. Deadmau5 -- One Trick Pony (feat. Sofia Toufa) (LIVE Performance) 12. Deadmau5 -- Moar Ghosts 'N' Stuff (+ Hard Intro) 13. Deadmau5 -- Ghosts 'N' Stuff (feat. Rob Swire) (New Intro Edit) 14. Deadmau5 - Maths 15. Deadmau5 - Sometimes Things Get, Whatever 16. Deadmau5 - Get In The Cart, Pig 17. Deadmau5 - I Remember (feat. Kaskade) 18. Deadmau5 - Strobe 19. Deadmau5 - Don't Forget The Paperwork 20. Deadmau5 feat. Wolfgang Gartner - Animal Rights

Super 8, colour, silent, 3' 20"

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.