The Noose

Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.

Pierre Cousin, a depressive compositor, wants to die. After five vain attempts at committing suicide, he decides to hire professional hit men to do the job on him. But as he's waiting for death, he accidentally saves a suicidal young woman's life... and falls in love. Having suddenly found a reason to live, he now fears the killers he himself hired. Is there still time to call off his contract?

The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. The dwarf kingdom, Shuflandia, exists in a cellar of a library, and only the most obedient get the chance to grow to king size and inhabit the larger world. Once there, nobody wants to return to Shuflandia. Also, there are no women in Shuflandia.

An impressionistic, black-and-white portrait of the day-to-day of a nonagenarian woman as she experiences the final act of her life. Danuta Szaflarska stars as Aniela, who lives in a massive yet rapidly-deteriorating wooden house, filled with souvenirs and treasures of eras gone by. Aniela runs into conflict in her dealings with others, particularly a nasty neighbor who sees her property as an eyesore and wants to do everything in his reach to buy it up and tear it down, and her married adult son, who - though kindly - triggers paranoia within Aniela (she cannot help but believe that he is scheming and planning to wheedle the property away from her). Driven aback by these individuals, Aniela finds one of her only sources of comfort and reassurance in her daily talks with her dog, Fila - and develops a great affinity for spying on the neighbors' doings whenever boredom creeps in.

An independent woman can't choose between the two men she loves.

Jérémie returns to his hometown for the funeral of his former boss, the village baker. He decides to stay for a few days with Martine, the man's widow. A mysterious disappearance, a threatening neighbor and a priest with strange intentions make Jérémie's short stay in the village take an unexpected turn.

Set in the mid sixties and shot with more black than white, ‘SAD?’ is a dark ten minute film that explores the time that we spend alone watching television, and the good and sad effects it can have on you. The film has a timeless, forgotten feel about it, a study of a world and time detached from the norm, a life filled with both laughter and loneliness, escapism and escapees...

Eddie, Dov, and Yvan are back, still working in Paris' Sentier textile district, This time they're confronting the high-stakes world of large distribution after striking a deal with Eurodiscount, a European hypermarket chain.

Following the attack on the black site in Poland, Navy SEAL Jake Harris is ordered to escort terrorist suspect Amin Mansur to Washington D.C. for interrogation. Before the prisoner transfer process is complete, though, the airport is attacked by a group of heavily armed, well-trained mercenaries.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor's guilt over those still left behind in Kabul as she desperately searches for love.

The arranged marriage between a capricious woman from Tokyo high society and a quiet and rustic man is tested by a marital crisis.