Apocalypse: The Battle of Verdun

Antonio Torres, a serious singer of Spanish popular music, and Bárbara, a vivacious yé-yé singer, face off in a chaotic contest promoted by Rodolfo Sicilia, an overworked publicist.

A century ago, from February to December 1916, the French and Germans provided a superhuman effort to control a few hills in eastern France, located in front of Verdun . A frontal confrontation, conducted without the help of their allies, army against army, nation against nation. Today, this battle seems absurd to us. Because it has caused almost as many casualties in each camp and its strategic utility has never really been demonstrated. But in 1916, soldiers on both sides did not consider it absurd: they agreed to fight. Why ? By reliving the rare Herculean confrontation of our ancestors, using reconstructions made in the 1920s, using a large number of animated computer-generated images that recreate the topography of the battlefield, this documentary returns, with the help of the historical adviser Paul Jankowski , on the last great victory won alone by France against Germany.

The British fought the Second World War to defeat Hitler. This film asks why, then, did they spend so much of the conflict battling through North Africa and Italy? Historian David Reynolds reassesses Winston Churchill's conviction that the Mediterranean was the 'soft underbelly' of Hitler's Europe. Travelling to Egypt and Italian battlefields like Cassino, scene of some of the worst carnage in western Europe, he shows how, in reality, the 'soft underbelly' became a dark and dangerous obsession for Churchill. Reynolds reveals a prime minister very different from the jaw-jutting bulldog of Britain's 'finest hour' in 1940 - a leader who was politically vulnerable at home, desperate to shore up a crumbling British empire abroad, losing faith in his army and even ready to deceive his American allies if it might delay fighting head to head against the Germans in northern France. The film marks the seventieth anniversary of the Battle of El Alamein in 1942.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Prince From Another Planet takes its title from a New York Times headline that accompanied its rave review of the King of Rock 'n' Roll's four sold-out shows at Madison Square Garden (80,000 tickets sold), the weekend of Friday through Sunday, June 9-11, 1972.

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

Old Mother Riley loses her laundry job and then battles her ex-boss in a parliamentary election.

The Oedipus Project is an innovative new digital initiative by Theater of War Productions that will present acclaimed actors performing scenes from Sophocles’ Oedipus the King as a catalyst for powerful, healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, written and performed in 429 BC during the time of a plague that killed one-third of the Athenian population, is a timeless story of arrogant leadership, ignored prophecy, and a pestilence that ravages the city of Thebes. At the time the play was first performed, the audience would have been reeling in the wake of a pestilence and its economic, political, and social aftermath. Seen through this lens Oedipus the King appears to have been a powerful public health tool for helping Athenians communalize the trauma of the plague, through a story that is as relevant now as it was in its own time.