Suho

Marilou and Philippe decide to show their grandchildren their new holiday home in Portugal. But once there, they discover to their horror that the house is still under construction. This is just the beginning of the problems for the grandparents, because soon they will lose their children. They have only two days left to find them, before their parents join them.

Wada, a salary man, is enlisted to venture off to China to investigate a potential Jade mine. After his arrival, Wada encounters a violent, yet sentimental, yakuza, who takes the liberty of joining his adventure through China. Led on their long and disastrous journey to the mine by Shen, the three men come across something even more magical and enticing.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?

Humble, unassuming Ma and timid Cao have been cast off by their families and forced into an arranged marriage. They have to combine their strength and build a home to survive. In the face of much adversity, an unexpected bond begins to blossom, as both Ma and Cao, uniting with Earth's cycles, create a haven for themselves in which they can thrive.

Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.

Do, who doesn't take much consideration about his marriageis circled with so many debts. He lied to his mother in law to get some money. Do and his wife eventually got a divorce and Do moved out to Kuala Lumpur to start a new life. Re on the other hand has a wife who is working at a night club whereas he stays at home and takes care of the house chores. Due to re's negligent behaviour his wife's money was stolen and he was told to leave the house bringing him dragging himself to the big city. Mi, a bachelor who is head over heels with the girl who is staying across his house often loans him some money. While Mi was out looking for a job he helped out capturing the theif who snatched a lady's handbag alongside with Re and Do who was in the area and helped out as well. They became close friends since then.

In Berlin 1942, Hilde is a member of an anti-Nazi group. She falls in love with another member, Hans. The two spend a summer together until they get caught by the Gestapo and Hilde is imprisoned, eight months pregnant.

Chico, one of the remaining members of The Magnificent Seven, now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Carpenter Sergio runs away and hides in a closet after his boss fired him. When the closet arrives at its buyer's house, he decides to stay there, hiding in his new home living with an unknown family.