Evangelio (Gospel)

Ben Winter returns from his tour in Afghanistan with the German ISAF. Having survived a suicide bombing, which claimed the life of his best friend, he is trying to find his way back to his old life, with his girlfriend, family and friends. But his memories are catching up with him. Increasingly, he is losing contact with reality and his trauma gets the upper hand. A near-accident makes him and his family finally aware of the deep-rooted trauma and feelings of guilt he brought back from Afghanistan and he checks into a veterans' hospital for treatment.

Sidney the Elephant wants to start a babysitting service, but his constant sneezing is causing a lot of problems.

The landowner Palitsyn (Chardynin) long and successfully sues the neighbor. The lawsuit led to the ruin. He died, leaving orphans children — humpback a young boy Vadim (Speransky) and three-year Olga. In order to avoid condemnation, the Palitsyn takes the girl to the pupils. The young man vows to take revenge on the offender and leaves this region. Several years pass. Olga (Goncharova) becomes the beauty and object of desire of the elderly Palitsyn. Comes the hour of revenge. Returned and did not learn of Vadim goes to the Lord in slaves. Soon he reveals to Olga the truth about the real family. The girl agrees to help Vadim. Meanwhile, the younger Palitsyn — son Yuri returns to the estate. Olga falls in love with the young landowner and refuses to help her brother. Finally angry Vadim decides to finish with the whole hated family. He goes to the camp of Pugachev to later return to the estate of Palitsyn and take revenge.

Three brothers, Selma, Emre and Ayşe, went for a little stroll by the river near the city they live in. This is a different trip because Selma and Emre are going to sacrifice their little sister Ayşe, who is deaf and dumb according to their family's traditions and beliefs, on her thirteen birthday. But Emre will try to resist this situation.

Rosie O'Donnell speaks straight from--and to--the heart in this stand-up special that delivers hilarious anecdotes about her family and details about the heart attack that changed her life. Other topics include: the headaches and joys of raising five children; her continued infatuation with Barbra Streisand; her second chance at romance; and everything in between.

A slight crackling accompanied by a silent voice, take us through a series of cold and desolate landscapes, in which gather silhouettes carrying torches. They perform rituals that we fail to understand. When daylight comes, it only remains fragments. 'Until the Sacrifice of Giants' is a documentary fable about the disappearance of myths in contemporary society, through the observation of popular rites. The ritual is here treated as a fiction, a frame within which we are witnessing the end of an imaginary civilization. The viewer becomes the partner of the scientist who tries to understand through analysis of fragments and ruins.

With over 300 million firearms, the U.S. holds the highest rate of gun ownership per capita in the world. Meanwhile, with each gun-related tragedy, the question remains whether to regulate or to arm. Increasing demand, illegal distribution and emerging 3D technologies threaten to upend the traditional debate of gun control. As discussed in interviews from Austin to Grand Rapids, Denver to New York City, NO CONTROL seeks to address the efficacy of gun laws and the ongoing debate between personal freedom and public safety in a candid discussion of one of the most complex, contentious issues in American history.

Frank and his brother Len meet on the day of their father's funeral. Together, with the help of Len's son Sean and Jean, a mysterious woman connected to the deceased, they will set off on a rather peculiar journey.

In his film, the Chilean film director accompanies Russian filmmaker Victor Kossakovsky during the shooting of his latest film. In Patagonia, at Lake Baikal and in Shanghai, Victor Kossakovsky explores the singular relationships between places and people on opposite sides of the world. Carlos Klein documents the making of this ambitious film in a very personal way, driven by his own inner search for images that still have an impact on us. While doing so, he reveals his own and Kossakovsky‘s ambiguous attitude towards filmmaking.

On an ocean voyage, a card shark and her father cheat a naive man out of his money. Things take a twist when the girl falls in love with the man she's just fleeced.