Killerjagd. Töte mich, wenn du kannst

Cologne/Bonn Airport: Detective Inspector Mark Kleinert transfers the young Turkish man Baran Sahin, who has been arrested for illegal possession of weapons, to Istanbul. Seemingly a routine operation - until Kleinert receives a call from his lover Carla Paditz, urging him to meet her in Istanbul. When Kleinert arrives at the hotel, Carla is already dead. Mark Kleinert does not realize that Jo Weiß, an undercover BKA officer, is also at the hotel at the same time and is watching him. The fact that there is an even bigger crime behind the murder of the woman on the Bosporus becomes clear after the murder of the imprisoned Baran Sahin. And when Mark Kleinert wants to know why he of all people was responsible for his transfer, his life is already in danger - and not only his.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Parker, a successful advice columnist, and her best friend Aaron have been inseparable since childhood. She knows everything about him, including the fact that he doesn't love his fiancé. Desperate for help, Parker pens an anonymous letter to her own column asking for advice. Unexpectedly, she learns about her own feelings instead.

A lonely and embittered cab driver starts his own investigation in order to break the secret of a passenger he fell in love with.

A vigilante who is released from prison for a crime he did not commit sets out for one last blood-thirsty fight to seek redemption and vengeance.

Famous for combining extremely simple line drawings with biting humour she lays bare the frustrations encountered by ordinary women in their daily lives. Candy Guard once disarmingly described her job as "writing funny stories and then drawing pictures to go with them", which goes some way towards explaining her success as both an animator and newspaper cartoonist.

A female ex-soldier comes out of retirement to put a stop to the kidnapping of a young boy who is being used a political pawn.

A divorcee decides to fight back after her hopes of gaining a promotion are dashed by her rejection of the advances of her boss, and it is only after he actually attacks her that her company and her union take notice.

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.

A short study of the interior of amaryllis flowers, shot on 16mm film. The central pistol, the stamens and the anthers, which produce the yellow pollen, are set against the colour field of the petals.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?