Dirty: One Word Can Change the World

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

If hugs are tangible why am I hugging the void

The Minions fight over a delicious banana... but is that all they want?!

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

This live-action short subject commissioned for the 75th birthday of German romantic composer Robert Schumann juxtaposes flowing water imagery with the piano playing of artist Nina Hanson.

A family drama about a young woman who kidnaps a decorated WWII veteran. Their road adventure fills with quirkiness and unforeseen dangers.

A loop of edgeless bend. You were its doom, he was its bloom. You were its tomb, he was its womb. You were its gloom, he was its loom. For Heaven and Hell, were words made of fume.

An NHS nurse of twenty years reflects on a challenging and strenuous career as time dwindles to her retirement.

The gang decides to enter their animals in a local pet show.

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

A woman and her child are kidnapped by her lover and plans revenge on him.