Wynton Marsalis Septet - In This House, On This Morning

This concert from July 8th, 1991 was the last of Miles Davis many appearances at the Montreux Jazz Festival and took place only a few months before his death. Despite a defiant never look back philosophy, Miles was persuaded by Quincy Jones and Claude Nobs to take part in this tribute to his great friend Gil Evans, who had passed away in 1988. This truly unique concert was an historical event and a musical triumph, thankfully captured here for posterity. Miles Davis was a giant of 20th century music and this concert is as much a tribute to him as it is to the late Gil Evans.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

In this show, Neville narrates stories about his struggles with his age, bring orphaned, adulthood, death, depression, divorce and suicide. This isn't the only thing that doesn't make it a regular stand up special, it's also that he's doing sitting down. He treats his audience like is therapist and pretty much leaves them bereft of hope but bloated with laughter. It's dark, it's poignant, it's melancholic but it's hilarious. Considered one of the comics with the darkest material in India, Neville doesn't disappoint. The topics he deals with are narrated anecdotally, making them approachable. He doesn't make fun of them; he makes fun about them. Afflictions, vulnerabilities and flaws are a part of human beings and Neville takes his feelings about them, analyses and then presents them. It's a perspective of someone who is going through them. And you see him crumble and rise with each story, you can also see him going downhill.

A money transporter is ambushed near the small Eifel village of Eschbach. The young LKA chief inspector Lona Schanz then determined in the village and its surroundings.

Visual anthology of Celtic new age recording artist Enya. This collection contains 13 promotional music videos highlighting her career from her self-titled debut in 1987 to her 2000 album, A Day Without Rain.

A spokesman rises to the top of the Greater Boston area spokesperson game.

A deep dive into gaming culture through two not-so-reliable representatives of the community.

Parker, a successful advice columnist, and her best friend Aaron have been inseparable since childhood. She knows everything about him, including the fact that he doesn't love his fiancé. Desperate for help, Parker pens an anonymous letter to her own column asking for advice. Unexpectedly, she learns about her own feelings instead.

We can easily say that our life is a game, not an ordinary one where you can determine the story, the space and the characters, but a game which comes with opportunities and traps, with gains and losses, a game we have to play every second, a game in which we are rooted. Sometimes we choose the virtual space in order to escape reality, but in the end it turns out to be just a way to avoid the real game, our everyday life. We see the big changes as new levels in our lives and we don't have the option to skip, our only choice is to play. So, the "Call of Pink" comes with the positive point of view that the world needs to overcome the real life levels, which we all know are the hardest to pass. Anyway, some details as creativity and fun are the things we should keep as weapons for the reality.

Freeway is a 1996 American dark comedy crime film written and directed by Matthew Bright and starring Kiefer Sutherland, Reese Witherspoon and Brooke Shields. This was followed by a sequel in 1996 entitled Freeway II: Confessions of a Trickbaby. The sequel stars Natasha Lyonne as Crystal "White Girl" Van Meter and María Celedonio as Angela "Cyclona" Garcia. While the first film was partly inspired by "Little Red Riding Hood," the second film is somewhat based on "Hansel and Gretel."

The slightly self-indulgent artist Thorvald collapses during an interview made in celebration of his 80th birthday and dies shortly after. But in spite of his death Thorvald can still follow those left behind. From a distance, and for better or worse, he sees with his own eyes the imprint he has left on his family and especially his son Vincent, who had a strained relationship with his father.