Akrobatisches Potpourri

The two inventors of the Bioskop, a sort of magic lantern that projected images so fast as to give the illusion of movement, bow to the camera at both sides of an empty screen. The scene was shown in continuity, at the end of the session, as if the producers and directors of the session were beading the public a farewell.

A man performs tricks on a theatre stage with a bowler hat and a billiards ball in equilibrium on his arms and body.

Nero, seated on a throne, has slaves summoned. Each drinks poison and dies, the second even though he can see the corpse of his predecessor.

Three dancers do a Russian folkloric step dance, facing the camera, in traditional clothes, fur hats and leather boots.

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

South Africa’s diamond king, Jue Gung, neglected his loved ones and decided to return to Hong Kong for the New Year. His family attempts to gain favor with him, in hopes of inheriting some of his wealth.

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Famous for combining extremely simple line drawings with biting humour she lays bare the frustrations encountered by ordinary women in their daily lives. Candy Guard once disarmingly described her job as "writing funny stories and then drawing pictures to go with them", which goes some way towards explaining her success as both an animator and newspaper cartoonist.

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.