The Scapegoat

An old man named Zivojin Markovic, living in a remote village prays for his grandson Cane to go to the city, sell his cow and bring back a wife. In the city he is supposed to meet up with his grandfather's stepbrother, but this man is dead. Instead, he meets this man's two grandsons, two good-natured brothers who are nevertheless small-time criminals and experts in demolition. Cane soon clicks with these men, and also falls in love with a schoolgirl (Jasna), who he wants to marry as part of his testament with his grandfather. He gets involved in this girl's family affairs, rescuing both her and her mother from prostitution and gangsters headed by a man called Bajo, and the new group of people return to the small village in time to celebrate Zivojin's wedding to his neighbor, despite the gangsters' best efforts to stop the celebration, which results in a double wedding.

Mathilde is nine years old. Her parents have separated. She lives with her mother, a fragile person who hovers at the edge of madness. It is a story of a unique love between a daughter and her mother.

The fates of three entwined families. Joséphine and Tomas have just got married. It was a joyful celebration. But soon, Joséphine’s parents will discover a darker side lurking behind the couple’s sunny happiness. Meanwhile, Mélanie tells her parents that she is pregnant but the father is not ideal.

When Thomas Platz is suddenly made the guardian of a baby - then pretends to be its real father in order to win back Marie, the girlfriend who dumped him a year before. Stuck between staying a man-child forever, and proving he is ready to take the next steps of marriage and family with the love of his life, Thomas goes on an unexpectedly hilarious adventure getting the girl of his dreams to believe he has changed.

A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.

35-year-old Morris Bliss is clamped in the jaws of New York City inertia: he wants to travel but has no money, he needs a job but has no prospects, he still shares an apartment with his widowed father, and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie, the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.

Mourning his brother's recent death, Pierrick accepts his best friend Tessa's invitation to stay in her family home — at last, a week alone. But when her gets there, he finds the house already occupied by Tessa's sister Marie.

Gabriel can't resist a beautiful woman. But his womanizing attitude is taking a toll on his career and social life. He decides to hire a life coach to help him.

Uptight lawyer Peter Sanderson wants to dive back into dating after his divorce and has a hard time meeting the right women. He tries online dating and lucks out when he starts chatting with a fellow lawyer. The two agree to meet in the flesh, but the woman he meets — an escaped African-American convict named Charlene — is not what he expected. Peter is freaked out, but Charlene tries to convince him to take her case and prove her innocence. Along the way, she wreaks havoc on his middle-class life as he gets a lesson in learning to lighten up.

Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.

In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a hardworking young sheep farmer; Frank Troy, a handsome and reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.