Old Women

One thing is certain: Alexey can never pay for his father’s operation from his income as a pizza courier. Everything changes when the courier finds an envelope containing a Sim card. As soon as he activates it, Alexey gets instructions to do a dangerous yet lucrative job. Alexey doesn’t hesitate a moment.

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

A compilation of three videos recorded during a private, invitation-only gig at The FunHouse in Bisbee, Arizona (where Stanhope lives, the audience is comprised of his close friends and neighbors) in 2016. Previously available as clips on YouTube, Stanhope released the three, 20-minute clips himself direct to streaming services, including Vimeo and Amazon, in late 2017.

Virtuoso Afro-Cuban-born brothers—violinist Ilmar and pianist Aldo—live on opposite sides of a geopolitical chasm a half-century wide. Tracking their parallel lives in New York and Havana, their poignant reunion, and their momentous first performances together, Los Hermanos/The Brothers suggests what is possible when walls come down, and borders are crossed. A nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, with a guest appearance by violin maestro Joshua Bell and the Harlem Quartet.

A crime movie directed by Rudolf Jugert.

On a seemingly normal evening, a young girl has the misfortune of encountering the wrong people. For her, this turns into a nightmare in which she is not even sure if she will survive the night...

When Su-san invites his late friend's daughter to come along on a fishing trip, she falls in love with Hama-chan's fishing protégé.

An American gets killed by a Filipino. Early version of the later feature film.

Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)

Just as he is about to go on stage, Max receives a phone call from Philippe who announces his presence in the room. As soon as he hangs up, the actor collapses. Max will then have to draw on his game to face this man. But will he dare to confront him at the end of the show?

Story about the search for identity. With the lead character being adopted and trying to find the missing puzzle piece of where she comes from. With the help of modern technology and DNA testing she is able to make a connection with a biological relative, who invites her and her friends down to Louisiana. However with this new connection comes an old family secret, one that was suppose to stay hidden from her.

In this show, Neville narrates stories about his struggles with his age, bring orphaned, adulthood, death, depression, divorce and suicide. This isn't the only thing that doesn't make it a regular stand up special, it's also that he's doing sitting down. He treats his audience like is therapist and pretty much leaves them bereft of hope but bloated with laughter. It's dark, it's poignant, it's melancholic but it's hilarious. Considered one of the comics with the darkest material in India, Neville doesn't disappoint. The topics he deals with are narrated anecdotally, making them approachable. He doesn't make fun of them; he makes fun about them. Afflictions, vulnerabilities and flaws are a part of human beings and Neville takes his feelings about them, analyses and then presents them. It's a perspective of someone who is going through them. And you see him crumble and rise with each story, you can also see him going downhill.