The Guest: An Episode in the Life of Eugène Marais

A woman and her child are kidnapped by her lover and plans revenge on him.

Meet the man widely regarded as the greatest writer in the English language, called England’s “national poet”: William Shakespeare.

"The Wild Soccer Bunch" celebrate their last victory against the "Silver Lights" - and set one record in volley-pass game after another in the forest. But they are not alone: Vampires target the team. To lure them into their bunker, they kidnap Leon. Will Vanessa ever see him again?

This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…

A family drama about a young woman who kidnaps a decorated WWII veteran. Their road adventure fills with quirkiness and unforeseen dangers.

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973

A woman arrives home at the end of a regular day, but as she begins to turn in for the night, she is overcome with a sense of restlessness. Unable to fit inside her own world, she needs out of her life. In an instant, she goes back out into the night. Her journey around a mostly vacant city, obscured by darkness, cascades in space and time, away from one feeling and in search of another.

Maria is a gifted girl, who faces a hard life in the fields. She is happy when her father decides to remarry, thinking that he will rejoice again. However, to the girl's despair, her stepmother is bad and starts to mistreat her. Maria still has to face the devil's tricks. Adaptation of the miniseries shown in 2004.

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

In this unique approach to the autobiographical film format, director Stephen Dwoskin pieces together home movies shot by his parents in New York City, a video letter recorded during the 1990 Gulf War by filmmaker Robert Kramer, and raw footage filmed by Dwoskin himself. A veteran of the New York independent film scene of the 1960s, Dwoskin constructs a film poem in which the strong sentiment of his personal story—he was stricken by polio and eventually confined to a wheelchair—never overwhelms the beauty of the film’s distinct form.

A poet gets dejected with the materialistic society around him. The only person he gets some sympathy from is a washed out working girl who gives him shelter. Rejected by publishers, he gains fame when his death is reported by a newspaper.