Et + si @ff

A flicker film made with images taken in Malawi. FF was in response to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which they invited artists to make a “Future Film”.

Kay Foster has not set foot on the Winley stud farm since her stepsister married Kay's childhood sweetheart. However, when she learns from her father George that an uncontrollable virus is raging there that threatens the existence of the stud farm, the renowned vet puts her feelings aside and travels to her old home, the Hudson Valley - a picturesque region just outside New York. She receives anything but a warm welcome from her stepmother Esther. Esther fears that Kay could jeopardize her daughter Alison's marriage - not unfounded, as Eric soon makes advances to Kay. Kay would prefer to leave again when her father suddenly dies. Esther accuses Kay of having upset George, who has a heart condition, too much and of being partly responsible for his death. Her accusations are not without consequences: Kay feels responsible.

FF is around three years' worth of collected footage culled from all sources in a variety of formats, from dumpsters to video. It is put together in such a way as to provide miniature, almost instantaneous fictions, confined and numerous, where meaning can occur between the frames as much as it might in the frame. Overall, the film could be described as a visual assault as well as a reference to the invasive nature of the act of taking photographs and more abstractedly with the problem of image or picture functioning as representation of some or all aspects of an object or thing. While the movements and the pace of the film are structured as to suggest relentlessness and insistence of control, the assembly of images therein serve to illustrate the nervous breakdown of the characters represented as their actions, forced into exact repetitions, lose their original expression and take on a new, more ominous existence.

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