Karambolage

Short film from the Philippines

On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!

WrestleMania 22 was the twenty-second annual WrestleMania PPV. It was presented by Snickers and took place on April 2, 2006 at the Allstate Arena in the Chicago suburb of Rosemont, Illinois. The main match on the Raw brand was John Cena versus Triple H for the WWE Championship. The predominant match on the SmackDown! brand was a Triple Threat match for the World Heavyweight Championship between Kurt Angle, Rey Mysterio, and Randy Orton. Featured matches on the undercard included a No Holds Barred match between Shawn Michaels and Vince McMahon, a Casket match between The Undertaker and Mark Henry, a WWE Women's Championship match between Mickie James and Trish Stratus and an interpromotional Money in the Bank ladder match featuring six participants. Tickets sold out in under two minutes, grossing US$2.5 million for the event, making it the highest grossing one-day event at the Allstate Arena. More than 17,155 people attended, with millions more watching in more than 90 countries.

A young man tries to make things right again in his relationship after he and his girlfriend get in a fight.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle

Charilaos (Orestis Makris), a retired officer with very strict and conservative principles, raises his four daughters with... military discipline, taking care of their culture, their appearance and their good behavior. Despite all his desire to marry them, he does not leave them anywhere alone, as a result of which no man approaches them. His wife, Efterpi (Eleni Zafiriou), as well as his friend and neighbor Xenophon (Pantelis Zervos), make remarkable efforts to convince him to change his tactics, but he insists on his very conservative behavior. But when the conversation reaches the well-to-do sister of Kalliopis (Georgia Vassiliadou) who has been living in Chicago, USA for years, everything turns upside down. She returns to Athens and undertakes to modernize the general's house, as well as help the four girls (and her nieces) to be rehabilitated.

¥ 260,000,000 is stolen from armored vehicle. The criminals escape into a crowded shopping mall and take over 50 hostages. Reiko Usagi (Ryoko Yonekura) and the SIT members are called in to break the stand-off. When Reiko goes into the shopping mall to negotiate, an explosion suddenly occurs. The hostages panic and run, while the criminals are able to blend into crowd of people and escape. A few weeks later, Reiko is at the Haneda Airport to go on a vacation. She then spots Yusuke Kimoto (Kento Hayashi), a man who was one of the hostages at the shopping mall. Reiko remembers Yusuke's bizarre behavior and her instinct starts kicking in. She decides to follow the man and boards the airplane that Yusuke is taking. Shortly after take-off her instincts prove correct. The airplane is hijacked ...

The adoptive son of the Adattu family, Marco, sets off on a ruthless quest for vengeance after his brother is brutally murdered, finding only betrayal, loss and unimaginable brutality at every step.

The story follows a boy named Quon and others who suddenly wake up with supernatural powers.

The film is composed of receding planes in a landscape: a back garden and the houses beyond. The wooden lattice fence, visible in the image, marks the border between enclosed and open, private and public space, and forms both a fulcrum for the work and a formal grid by which the shots are framed and organised.