Autumn Moon

The film is inspired by the costumes of folk art performers at Taiwan's ceremonial festivals. Adapted from the Southeast Asian folktale The Mousedeer Crosses River, it integrates similar folktale narratives from different countries to create animated puppet dancers.

When middle-aged Kata realises that her life will only be complete if she has a baby of her own, her longstanding-but-married boyfriend Joska refuses to comply. But by developing an unlikely friendship with the angst-ridden teenage orphan Anna, who is also involved in a controversial relationship, Kata discovers aspects of herself, and her role as a woman, that have gone unexamined throughout her entire, lonely life.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Virtuoso Afro-Cuban-born brothers—violinist Ilmar and pianist Aldo—live on opposite sides of a geopolitical chasm a half-century wide. Tracking their parallel lives in New York and Havana, their poignant reunion, and their momentous first performances together, Los Hermanos/The Brothers suggests what is possible when walls come down, and borders are crossed. A nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, with a guest appearance by violin maestro Joshua Bell and the Harlem Quartet.

Mau follows the unlikely story of design visionary Bruce Mau and his ever-optimistic push for massive change.

A story about aging, motherhood and life. About looking back and not understanding how you got to where you are, about wounds so deep that all the energy is spent on not wanting to see them. An intimate drama where, through fiction, the director delves into the wounds of his own family.

The Oedipus Project is an innovative new digital initiative by Theater of War Productions that will present acclaimed actors performing scenes from Sophocles’ Oedipus the King as a catalyst for powerful, healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, written and performed in 429 BC during the time of a plague that killed one-third of the Athenian population, is a timeless story of arrogant leadership, ignored prophecy, and a pestilence that ravages the city of Thebes. At the time the play was first performed, the audience would have been reeling in the wake of a pestilence and its economic, political, and social aftermath. Seen through this lens Oedipus the King appears to have been a powerful public health tool for helping Athenians communalize the trauma of the plague, through a story that is as relevant now as it was in its own time.

This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over the matter of the vision. Jittery flocks of space are interweaving as pieces of language in a scant illumination, whereas the process of thought is sheared in fuzzy transience.

Sinterklaas and the Clubpieten have a busy year ahead: never before have so many shoes been put out. But the villain Kornee wants to ruin the Sinterklaas celebrations. Due to a mistake, he never received a gift from Sinterklaas when he was a child. To get his revenge, he has created Moepies, a new kind of cuddly toy. Kornee orders the funny Moepies to steal the presents from the children's shoes. When one morning not only the presents but also all the shoes are gone, the Petes are blamed. Sinterklaas doesn't understand what's going on. Will everything be okay in time?

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

Viri is a trendy bar waitress, Lissa works in a supermarket and sings hip-hop, Valeria veterinary studies, Yvonne tries to find a place in the world of music and Lourdes does tattoos on the premises of his brother Pogo. The idea of forming a pop group. When the group finally consolidates, an internal problem threatens to dissolve before the debut. But girls are not the same: the time spent together taught them that despite the differences there is none can separate because they are united by something that goes beyond the simple desire to sing.