The Count of Monte Cristo

After Los Angeles is invaded by an army of subterranean monsters, a small group of people must fight for survival in the deserted metropolis.

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

As nuclear war looms, a woman must make a final phone call.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

A new member from the Black Organization that shrunk Shinichi's body manages to find out about Shinichi's transformation into Conan. This discovery starts to put those around him in danger as Gin and the other Black Organization members start to take action.

Joe thinks he's back in the gladiator days, and finds himself sentenced to be thrown to the Coliseum lions after breaking a string while playing the lyre for King Nero.

A boy and girl find true love for each other and escape from boredom and crime.

In Fox's contribution to the all-star revue cycle of early talkies, showboat singer Margie, hearing that the show is in arrears, goes to New York to gather all of the former stars to stage a minstrel show as a benefit.

A cowboy is hired by a stagecoach boss to stop the railroad reaching his territory and putting him out of business. He uses everything from Indians to dancehall girls to try to thwart the plan. But the railroad workers, led by a female sharpshooter and an ambitious salesman, prove tough customers.

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

Rukeli Trollmann was exposed to many forms of discrimination by the Nazi regime because of “boxing by dancing like Gypsy”. Inspired by the fight of Rukeli Trollmann, the film traces the artist’s experience of immigration to Berlin and the fight for justice in Istanbul.