Carla

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

Adam receives a flashlight with special powers: every liar it shines on flies into the air. Production was cancelled in 1965/66 due to the film's political content. Only in 1989/90 could the director reconstruct the film, where missing sounds and images are replaced with script inserts.

This animated film presents the journey of a queer person, exploring sexuality and the queer community. It illustrates an observation of the modern queer society and fantasies toward the freedom of gender fluidity, reflecting the real situation of the community where discriminations, freedom, and love coexist.​

A half-breed gunslinger and a friend he hasn't seen in years join together to escort a shipment of explosives across Utah.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

In this John Nesbitt's Passing Parade series short, narrator John Nesbitt tells the story of Scandinavian immigrant Annie Swenson, who worked as cook and housekeeper in his family's home while he was growing up.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

Heba and Aya are two young women who are leading a single life in Cairo. We follow these two women as they make difficult choices and face their fears in the tough city of Cairo.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Dian (Lisa Surihani), a sweet and naïve blogger, travels to Istanbul in hopes of convincing her medical student boyfriend Azad (Tomok) to propose to her. She rents out an apartment, not knowing that it is already leased to quirky and shy artist Harris (Beto Kusyairy). Despite the unwanted roomate, Dian tries to make the most out of her sticky situation and conceal it from Azad. But when Azad eventually finds out and leaves her, Dian has to decide whether she should run and fight for Azad or stay and discover if Harris is the one who is meant for her.