The Children Nobody Wanted

Young Youtuber David Baker is invited by Carol, a lonely woman, to investigate supernatural occurrences in her home. But it takes a turn as he slowly uncovers that things aren't what they seem.

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

In southern Burgenland, Austria, 18-year-old Renate is found dead in a wooded area. Investigator Elfriede Jandrasits, who is known for her tenacity at the Eisenstadt Criminal Police Office, takes on the case. She is under a lot of time pressure because her husband's retirement party is imminent.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Lynda Wiesmeier, Playmate of the Month July 1982, along with other Playmates

The tough Detective Vares, get hired by a friend accused of murdering a girl. His job is to find the real killer, but people aren't talking. Before he can get traction another homicide takes place- and things move toward a dire conclusion.

Green Day played the Woodstock festival on the South Stage on August 14, 1994, 6 months after their first major-label album Dookie was released. The performance was one of the most memorable of the festival, with the band getting involved in a mud fight with their fans.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination.