Parannu Parannu Parannu

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.

A wealthy man is struck by wanderlust that always takes him to new places where he mingles with the lives of different people.

The documentary director's reminiscences of his past protagonists, themes and inspirations as well as meetings with old friends and colleagues.

A wolf with a Southern accent walks by just as a teacher is getting fed up with his class and walks out. Unfortunately, the class consists of three junior clones of Droopy, who manage to try his patience.

Adaptation of the suite "Iberia" by Isaac Albeniz. Documentary about the world of flamenco. The story arises from the music itself and those who interpret it: the musicians and dancers. The film recreates and reinvents musical pieces and merges classical ballet, contemporary and Spanish dance and flamenco

The farmer Christen, his wife Änneli, their sons Resli and Christeli, and their daughter Annelisi live together harmoniously on the Liebiwyl farm. The harmony is disrupted when Christen allows himself to be persuaded by the deceitful village clerk to speculate with his ward's money. As a result, all the money is lost, and the defrauded farmer has to pay the community for the damage out of his own pocket. This angers Änneli, whose great willingness to help is thwarted by Christen, who is becoming increasingly stingy. One harsh word leads to another, and soon the couple is facing a shambles. The children also suffer from the unfriendly atmosphere at home. Only a visit to church on Pentecost and the corresponding sermon make reconciliation possible.

Jack Kempson started out as an idealistic cop. Thirty years on, he remains relentless in tracking down villains, but has lost confidence in his moral barometer. He turns a blind eye to the dubious methods employed by some of his contemporaries — prepared to let dodgy means be justified by the noble end.