A Climate for Killing

After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.

High-tech robots equipped with state-of-the-art security devices have been recruited as the new mechanical "night watchmen" for the Park Plaza Mall. When a jolting bolt of lightning short-circuits the main computer control, the robots turn into "killbots" on the loose after unsuspecting shoppers!

A psychotic man, troubled by his childhood abuse, loose in NYC, kills young women and local girl American models and takes their scalps as trophies.

In a tributary of the Amazon, a monster – half-man, half-fish – is captured and placed in a reservoir in a Florida national park to be observed by scientists.

Lucas and his team are after a gang of Serbian criminals using NATO-issued weapons. As the investigation leads him to Paris, Lucas attempts to reconnect with his estranged daughter, a young narc officer.

Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.

Two thirtysomethings, unemployed former alcoholic Joe and community health worker Sarah, start a romantic relationship in one of the toughest Glasgow neighbourhoods.

As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.

Official Shogunate executioner Ogami Itto has been framed for disloyalty to the Shogunate by the Yagyu clan, against whom he now is waging a one-man war, along with his infant son, Daigoro.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

A movie crew invades a small town whose residents are all too ready to give up their values for showbiz glitz.

An independent woman can't choose between the two men she loves.