Joker's Wild

King, Queen, Joker is a 1921 silent feature farce written and directed by Sydney Chaplin, Charlie's older brother. The picture was produced by Famous Players-Lasky and distributed through Paramount Pictures. The film was shot in England, France and the United States. Less than a reel of this film, the barbershop sequence, survives at the British Film Institute. It was included in the 2011 Criterion DVD special two disc edition release of The Great Dictator.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

The evil is set to damper another Christmas season for the children's home. Can the Scooby gang warm his heart?

Follow a normal day in the life of three abnormal people to see what it's like to walk in another person's shoes for a day. Shot entirely in subjective camera, the audience will experience a day in the life of these three characters by hearing their internal monologue, dialog, and by seeing what they see as they go about their daily business. Since the movie is all about perception, all three characters lives intertwine in a scene that each character perceives completely different, leaving the audience to decide for themselves what really happened on this normal day. Each characters lives twist and turn as the movie progresses into a fun, yet different, cinematic adventure.

The Minions fight over a delicious banana... but is that all they want?!

It's perfect pandemonium when Bibi and Tina meet a runaway boy with an attitude problem, who turns out to actually be a girl, named Adea. Adea‘s uncle is so narrow-minded and stubborn that even with all her magic spells, Bibi can't manage to get the two to reconcile. Meanwhile, Falkenstein Castle is being renovated, which is driving the Count to his wits' end. Especially since Alex is planning to hold a music festival at Falkenstein and is determined to go through with it over his father's objections. And if all that was not enough, Tina gets kidnapped. Despite the complete chaos, one thing is clear - in the end, real change comes from everybody working and pulling together, not by magic.

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.

The film shows long-lost images of the early 20th-century Korean Peninsula, before the Korean War separated the North and South. The images include women spinning on cotton wheels, families making traditional tteok (rice cakes), a look at Dongsomun (Seoul’s ancient East Gate), which was destroyed just years later, and missionary activities in what is now North Korean territory. The footage was once stored in a German monastery, but later the Nazi government, which sided with Japan in World War II, tried to confiscate it because some of it could be interpreted as espousing a critical view toward the Japanese occupational regime in Korea. Fortunately, a monk saved the film, hiding it behind a stone wall in the basement before he died during the war. The film was rediscovered in 1975 during a renovation.

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

A mentally deranged man in a constant battle with himself decided that there's one more thing left for him to do.

Adaptation of the suite "Iberia" by Isaac Albeniz. Documentary about the world of flamenco. The story arises from the music itself and those who interpret it: the musicians and dancers. The film recreates and reinvents musical pieces and merges classical ballet, contemporary and Spanish dance and flamenco