Morbid

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

In the autumn of '43, Mina, a little girl of Jewish origin, is entrusted to farmers in the Cévennes. Shocked by Jeroboam's frustrated manners and Deborah's cruel reflections - who is still suffering two centuries later from the struggle between Protestants and Catholics - Mina thinks she'll find refuge with Jeannot. But the young boy doesn't like girls and mistreats Mina. Fortunately, she has a friend: the village pastor. Thanks to him, she can go to school. Despite their constant bickering, Mina takes a liking to Jeannot. She convinces him to come to school with her. Together, they go for walks or take advantage of the passage of maquisards to force open the cellar door where hams hang! The arrival of an "informer" at the little school and encounters with the Germans disturb Jeannot.

After escaping a Michigan prison, a charming career criminal assumes a new identity in Canada and goes on to rob a record 59 banks and jewellery stores while being hunted by a rogue task force. Based on the true story of The Flying Bandit.

This chamber drama is set in Georgia on the turn of the 19th and 20th centuries. A simple peasant family makes its living by selling yogurt which the Magdany widow takes every morning to the town market. Once, in their mother’s absence, the children – six-year-old Mikho and three-year-old Kato – found an abandoned donkey on a road leading to their village. The foundling was fed, tended, and the moment the donkey opened its big, tender eyes, it was named “Lurdja”, which means “blue-eyed”. Surrounded by love and care, the donkey became a big help in the poor household. But this idyll was not to last long…

A man is convicted of a robbery he didn't commit and spends six years in jail. Decades later, he becomes a suspect again — but is he still innocent?

Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?

Robert Tisdall finds on the beach the corpse of a woman he knew. Others wrongly conclude that he is the murderer. Fleeing, he desperately attempts to prove that he is not the killer. A young woman becomes embroiled in the effort.

Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.

When Crystal Wyatt was 16 her father passed away. From that time her life would never be the same. Crystal is banished from the family ranch, and starts a new life as a singer in a San Francisco nightclub.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.