Self-Assembly

Antonin and Leonor are hunting larks. He is as submissive as his sister is voracious. One day, a dog attacks them.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Zagor is a costumed hero in the tradition of Batman or the Phantom who has been transplanted to the old west, with perhaps a bit of Tarzan thrown into the mix for extra pop cultural resonance. The son of a white army officer and his wife who were slain by Indians, Zagor was raised by a trapper who taught him to be murderously handy with an ax, a task that would come in handy when he embarked on his planned mission of vengeance against his parents' killers. Upon reaching adulthood, however, Zagor discovered that his father had also been responsible for the deaths of many Indians, and that the moral line was not drawn as clearly as he had initially thought. As a result, he vowed to become an equal opportunity protector of the oppressed, whether they be white settlers or Indians.

A group of relatively young (30-35 years), college-educated, smart, urban people, whose youth was destroyed in the events during the breakup of Yugoslavia, in a late search for their identity.

The seemingly happy relationship between Tony and Jim is threatened when his manipulative, seductive former fiancee visits.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

A film about the 60s art scene in Rome. A unique moment in history, when in a flurry of cross-fertilization, painting, film and literature converged in pursuit of the "spirit" of the times. A sweeping portrait of a city that for a decade became one of the art capitals of the world.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

After living separate lives, three men try to reset their former turf that is now infested with gangsters to its former glory.