The Legend of Willie Brown

Ron Lynch, JB Smoove, and Amy Poehler all star in this western set in modern day Manhattan.

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

The coyote chases the road runner, but in this one he actually succeeds, to his bemusement.

In his hometown of Toronto, Shawn Mendes pours his heart out on stage with a live performance in a stadium packed with adoring fans.

Nobody forgets their first time.

This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Christianshavn 1894 - Headstrong Juliane fights alongside her husband Otto for love and family in strike-ridden Christianshavn. The couple has been married for five years and has two children together. Trade union politics are taking up more and more of Otto's life, and Juliane cannot even get him to tone it down at family gatherings, so Juliane has her hands full keeping track of the home and the children. The family argues about big and small things, from the sisters' disagreement about women's liberation to Otto's political involvement.

Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.

A 17-year-old girl faces a life with an adverse perspective, where her social life, her experiences, her happiness and emotional stability only depend on a thread that is too damaged.

A young boy (I. Spassov) gets his hand caught in a bridge beam on a hot summer day in this straightforward drama. As the water level rises in the river, people band together to try and save the boy before he drowns. He is comforted by his mother (G. Vachtov) and an army general (P. Slobokov), and the latter calls out the troops to save the lad from liquidation. This feature was the official Bulgarian entry at the 1965 Cannes Film Festival and is devoid of the usual 1960s propaganda associated with countries from the Eastern block of Europe.