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Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

Spotlights scan the arena and thousands of fans roar themselves into the mood. Hansa Rostock and Hertha BSC are battling it out on the pitch for the DFB Cup. In this euphoria, no one has eyes for the slick criminal Kant, who plunders the cash register with his gang, shoots a security guard and seizes the control center for his large-scale extortion game. From here he closes the stadium gates: 70000 people are trapped! Head of security Bender and Inspector Deutler feverishly try to overpower the gangsters before the final whistle. A mass panic now would be fatal...

Aavas is a nepali music video about love

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Catholic priest, Myeong-jun, climbs up one of the bridges crossing the Han River to commit suicide after learning that a woman who loved him in the past, has killed herself. Then Jang-hyo, a homeless person, tells the man on the bridge that he bet with other homeless people that the suicide attempt will fail. Myeong-jun jumps into the river anyway. But Jang-hyo rescues the suicidal priest and lets him join the homeless community. Chu-ja, a transgender homeless person, is on bad terms with his daughter. When he hesitates about attending his daughter’s wedding, the two men visit the daughter and ask her to forgive her father. Another homeless person, Maria goes to a soup kitchen at a Catholic church, where she sees the beautiful nun Angela. Maria, who was pregnant at the time, gives birth to a baby later and decides to remain at the church to be a sister. Despite their own painful history, each of these four people finds a way to reconcile with the past.

As men and women around the age of 30 struggle to reach their dreams, they also go through trial and error in love. This work, which depicts the encounter and parting of such a man and woman.

One night in Judea, a disabled shepherd boy-turned-beggar and his mother are visited by three strangers. They are the Three Kings, and they are on their way to Bethlehem to visit the Christ Child, who has just been born.

This animated film presents the journey of a queer person, exploring sexuality and the queer community. It illustrates an observation of the modern queer society and fantasies toward the freedom of gender fluidity, reflecting the real situation of the community where discriminations, freedom, and love coexist.​

Tired of the monotony of her work, Mary O'Hara, executive of an important American company, travels to Acapulco for a few days in search of love and adventure. On the beach, her high hopes fade, since she only meets unscrupulous playboys. She declines all offers she gets until she meets Pancho el Golfo, a young man who makes a living as he can.

Luís Medeiros, Azorean painter, meets two odd characters in an exhibit in Lisbon: Inês, a charming woman, and Ed, a sneaky man. The two reveal to have with them a precious document that might be threatening to Luís. He brings them back home but his serenity is over due to an unexpected chain of events.