The Hawks and the Sparrows

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.

Some puppets come to life in a theater with no windows. This time the puppets interpret William Shakespeare's Othello.

Between Bresso, Sesto San Giovanni and Milan, we immerse ourselves in the lives of Vash and Felce, who together make music, do heroin and share everything. Their reality is sometimes brutal, often comical, tragic and romantic.

A liberal-thinking author watches his wife as she attempts to seduce his best friend at a dinner party. She ends up taking on another man as well, and the writer has an affair with the another dinner guest. Soon the three men and two women are entangled in a confusing series of partner-swapping sex sprees where everyone's morals are challenged in the wake of the sexual revolution.

A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger.

When Marino goes to Rome for an event, he certainly does not imagine meeting Marisa, who will become the love of his life. But once love is found, it is a matter of spreading it and here the difficulties begin: first the father who opposes it; then, after the death of his father, the gossips who make Marino believe that Marisa was a little good, so much so that Marisa runs away. Repentant, Marino searches in vain and then, almost by accident, finds her again, Mrs. Ciceri. But love admits no obstacles, not even that of a deaf and dumb husband.

Several interconnected chapters follow a variety of Parisian couples navigating love, desire, and relationships. Isabelle, frustrated by a year of celibacy, rejects her friend Zoé’s offer to "borrow" her husband and instead impersonates their mutual friend Amélie, who cannot bring herself to sleep with her close friend Boris. Meanwhile, the lonely Achille is stunned when his alluring new neighbor appears at his door in a negligee, proposing an affair. Elsewhere, middle-aged Emmanuelle struggles with an overwhelming attraction to every handsome man she encounters, threatening her marriage, while a young couple wrestles with jealousy. Each chapter delves into the unpredictability of love with humor and poignancy.

An aging poet summons his estranged sons to the hotel he is staying at because he feels his death is near; meanwhile, he encounters two women staying at the hotel.

Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.

Back to his hometown, a former marshal finds his house occupied by a young woman working as a fishwife.

Esposito is a thief who cons tourists in Rome. Officer Bottoni manages to catch him and starts persecuting him. When Esposito manages to flee, Bottoni's superiors inform him that he'll lose his job if he can't catch Esposito.