La casa colorada

The evil is set to damper another Christmas season for the children's home. Can the Scooby gang warm his heart?

Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).

Anne is a girl with a serious passion for superheroes and justice. On her first day at a new school, she discovers that someone needs her help, and she will do whatever it takes to make things right. Even when her world is turned upside down.

Engelein is a comedy of deliberately mistaken identity. If Jesta, a 17-year-old, can play the part of a 12-year-old, her family will gain a large inheritance from a rich uncle from Chicago. Her unruly “play-acting” for the uncle is preceded by an earlier incident in the film that results in Jesta being evicted from her girl’s school. Wearing a long, woman’s skirt, she climbs up a ladder and onto a thatched roof. She reaches over the top of the wall to kiss her boyfriend, who appears from the other side. However, Jesta is caught by the headmistress, and her forced descent is precipitous. Pulled downward, she reveals a great deal of a black-stockinged leg. She looks distinctly sexual as she falls into the matrimonly arms of the law, whose duty is to enforce the rules of female decorum.

Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.

Elizabeth works for her fiancé’s father’s real estate company in the big city. Fed up with Elizabeth’s unprofessional antics, her soon-to-be father-in-law sends her back to her hometown during the holiday season to convince an old flame, Randy, to sell his ski resort to the firm in order to keep her job. Randy agrees to sell, but only if she can win the town’s annual winter challenge, which includes outrageous and fun ski events. Aggravating her plans further, she must face off against the perennial champion, her estranged sister Lynn, now more determined than ever to ‘out-sleigh’ her rivals!

The fate of Illarion Groza was tragic. Many years ago, upon returning from the front, he learned that his wife had given birth to a daughter by an Italian officer, and he shot her with his machine gun. But even now, Illarion cannot forget his wife, forgive her betrayal, or justify his cruelty. And that is why his relationship with his daughter Yulka is so dramatic and tense... The artist Bogutovsky, who lives in the captivity of false pompous art, carries the burden of past years... After hearing Illarion's story, the writer Iskra destroys the manuscript of his play: life turns out to be much more complicated than he imagined.

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

Ugo Fantozzi was resurrected from the company where he worked because of a crisis, how it will end?Tenth and final chapter of the film series of Fantozzi character.

4 TV Episodes Spectacle!

Kumud, Pooja, and Atul had been inseparable since their early days in the film industry. Together, they had weathered the highs and lows of creative life, becoming not just collaborators but lifelong friends. Over the years, their shared passion for cinema blossomed into something extraordinary. One evening, after a long discussion over coffee, they decided it was time to honor their shared journey-and the industry that had given them so much. Thus, the Kumud Entertainment Film Awards were born. The awards were unlike any other. They aimed to recognize talent across the industry, celebrating everyone from the best actor and actress to the finest writer and director. The trio poured their hearts into organizing the event, determined to make it an evening to remember. The big day arrived, and the venue sparkled with golden lights, setting the stage for a magical night.

Thanks to social media, teens are able to directly interact with their culture - celebrities, movies, brands - in ways never before possible. But is that real empowerment? Or do marketers hold the upper hand? Douglas Rushkoff explores how the teen quest for identity has migrated to the web – and exposes the game of cat-and-mouse that corporations are playing with them.