Helleborus Niger

A comparison of women’s life in Niger and Norway. Film footage and photos taken in the beginning of the 1970s in the village of Maïné-Soroa, in Eastern Niger, are juxtaposed with audio-visual material from Tromsø in Northern Norway. Using a simple, didactic voice-over, the film questions many stereotypes about women’s life in Africa and Norway. It is an attempt to use audio-visual tools and fieldwork experience to teach cross-cultural understanding and ethnocentrism in Norway.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

Zhana and Toni meet on a crowded beach. She is hanging around bars; he is seeking amorous adventures. They spent the night together, then jump into Mercedes sport car and get into a breath-taking race. In the morning, they learn that a man has been run over during the night. A dark suspicion comes over them. They travel again the same road again. The resulting confessions strip their masks from them... Believing him to be guilty, Toni wants to turn him in. However, the real culprit is detected. They move on - but in different direction...

Tom, a wannabe streamer becomes the prime suspect in a missing persons case after ordering a mystery box off the Dark Web and a series of incriminating evidence continues to be delivered to his home. Tom wants fame and notoriety but for none of the work. Desperate for cash and likes, Tom spends all his cryptocurrency on an a parcel from the Dark Web with the prospect to elevate his online profile, @BoxSlave. As more boxes arrive than intended, a macabre mystery entangles Tom in a more personal way than expect. With Tom’s naivety and paranoia getting the better of him, he turns to the internet to help solve the mystery of each box ensuring he gets the validation of likes and subscribes along the way, even at the risk of those he cares most about.

“Foolish indeed is he who marries in old age.” Thus ends Don Pasquale: with a wise dictum not lacking in irony that sums up the disappointments of its hero, a rich bachelor keen to marry who is deceived by his nephew Ernesto and his young bride-to-be Norina. First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.

STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.

Three old men and a little boy try to preserve what they consider to be National Patrimony in the form of a locomotive nicknamed the "33"

Tom drowns in a lake and sinks to the bottom. There, he finds a mermouse, which he tries to capture and eat.

Covering over 100 years of cinema, this is a journey of discovering and exploring the magic of cinema from a personal perspective. Looking at the changes and developments of cinema Thomas explains how film has deeply affected his life as a person and a filmmaker.