Hijrat

A period drama set in the year 1877 that narrates the love story of a revolutionary tawaif.

A portrait of teen escort, 'Coco'.

Jackie is a young woman determined to reverse her bad luck. She consults the God of Gold, who advises her to "nurse a ghost". She is given a small figure to worship, and the worship includes dripping three drops of her own blood every three days. At first, all goes well and she falls in love. But this new happiness causes Jackie to forget to worship the figure, and the spirit doesn't like it. With good intentions, her new boyfriend, Raymond, discovers Jackie's strange predicament and attempts an exorcism which goes horribly wrong. The spirit takes over Raymond, who starts doing nasty things.

Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.

Six strangers awake to find themselves the new tenants of a mysterious old house. Terrorized by insane Tiki-men in masks and taunted by their deranged captors,it soon becomes clear that only one singular action will save them: Kill.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Péter Janklovics, Gergely Litkai and Máté Balázs Szabó pass the humor ball between them in the Green stand-up theme. In the evening about sustainability, it will be revealed, among other things, whether we should discuss the topics of climate change and biodiversity at a family lunch? Máté Balázs Szabó highlights the benefits of a vegan diet, Litkai talks about the positives of moderate meat consumption, while Janklovics, who has a reputation as a big meat eater, defends his own lifestyle. Accompanied by great jokes, it is also revealed how to best reduce our ecological footprint, carbon dioxide emissions, and the positive effects of consuming a lot of vegetables and fiber on health are also discussed.

Working for the first time with sound, I made TRAPS, a film scripted in jail on hearing of an acquaintance’s suicide, and LEAH. Both are “portraits” of alienated young women. TRAPS is harsh in both form and content, with long takes speaking to the camera juxtaposed against long silent sequences as, in an argument by accretion, the grounds for alienation are piled up. Ostensibly a “documentary self-portrait” made by the woman of the film, TRAPS’ seemingly uncohesive segments crystallize only at the last moment when the neutral narrator (and alleged “editor” ) informs the viewer that the woman committed suicide.

A study in contrasts, comedy partners and good friends Coco Celis and Raúl Meneses alternate separate stand-up sets for double the laughs.