Confidence Reigns

From 1945 to 1989, after the capitulation of Nazi Germany, two rival ideologies, communism and capitalism, faced each other in a merciless battle. On one side of the Iron Curtain and on the other, throughout the Cold War, the USSR and the United States sought to shape children’s imaginations through their magazines and films. Never in the history of mankind have so many comic books been published and so many cartoons produced for young people. In November 1989, communism collapsed with the Berlin Wall; capitalism was left to decide the future of the world. What if this victory had been prepared for a long time, and our thinking conditioned, from our early childhood, to ensure this absolute triumph?

Ragat (Blood) is a powerful Nepali film that highlights caste discrimination and social injustice. The story follows Krishna, a young man from a lower-caste family, who bravely fights against the oppression of the rich and upper-caste elites. Hemant Kaji, a wealthy and influential man, strongly believes in caste superiority and looks down on the poor. Amidst this division, Laxmi, a girl from a rich family, falls in love with Gopal, a lower-caste boy. Defying societal norms and family pressure, they marry against their parents' wishes, challenging the rigid caste system. Their love becomes a symbol of change, but their struggle is met with resistance. In the end, Radha, Laxmi's caring aunt, tragically loses her life, leaving behind a message that all human blood is the same-hot and red. Directed with a strong social message, Ragat questions why caste discrimination still exists in Nepali culture and calls for equality and justice.

Tomás is an old man who suffers from Alzheimer's disease dependent on his family who has a complicated relationship with him due to his condition, which causes a conflict of interest with Tomás' daughter wanting him to live, her granddaughter being completely indifferent, and his son-in-law. wanting him to die.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.

During a piano lesson, a music teacher discovers a harmless spider, so she calls in The Exterminator.

Hannah and Matt, a young couple on their first holiday together, quickly discover that they may not see eye-to-eye. Feeling as though she let her boyfriend down, Hannah enlists the help of a mysterious gypsy woman, in the hope that the couple's troubles can be overcome. However, when Matt wakes to find his girlfriend has disappeared, the gypsy woman's sinister intentions become all too clear.

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

Three young female cousins living with their grandmother pay a steep price for trying to sell the family palace when a curse transforms them into men.

The art restorer Henriette Frey moves from Vienna to Krems to live with her friend, the musician Ferdinand Sternheim. At a vernissage, Ferdinand introduces her to the gallery owner Hartmut Ille, who proudly presents the up-and-coming painter and new star in the art firmament Hubertus Krajczik. But Krajczik's up-and-coming career soon comes to an abrupt end.

Pioneering artist Lillian Schwartz demonstrates the human input -- integrity, artistic sensibilities, and aesthetics -- that goes into producing early computer art. In voice-over she explains the intent behind a number of her films and offers insight into the artist's problems and decisions. Produced for AT&T.