The Sector

The year is 2021 AD. Women have been enslaved by a brutal army of men who survived the nuclear holocaust. Their only hope for freedom is in the hands of a nomadic band of fierce she-warriors: The Sisterhood.

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Following an inappropriate remark towards a woman, a young man finds himself plunged into a parallel world where he will endure a series of remarks and micro-attacks usually reserved for women.

The short registers a sports spectacle of great importance (probably of soccer). We never see the spectacle itself but the people watching and reacting at the stadium.

Laura is about to marry Daniela, the girl of her dreams, when she realizes she is actually dreaming. Trying to avoid further embarrassment by carrying on the narcoleptic charade, Laura inadvertently insults Daniela and learns that sometimes you have to take care of your fantasies in order to find happiness in your reality.

Recorded at Nashville’s legendary Ryman Auditorium in December 2004. Features stellar performances by Andrew Peterson, Pierce Pettis, Phil Keaggy, Jill Phillips, Derek Webb, Sandra McCracken, Randall Goodgame, Andrew Osenga, Ben Shive, Andy Gullahorn, Phil Madeira, Gabe Scott, and others. Special bonus features include: Commentary by Andrew Peterson, Andrew Osenga, and Ben Shive Exclusive interviews Behold the Lamb of God documentary 5.1 Surround An up close look at the artwork by Evie Coates And more!

A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu. With bravery and subversive wit, they each shed light on the social problems in their country. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live.

In Shanghai, an American girl who helps runs an opium ring meets an American agent disguised as a mining engineer. The two fall in love, and she has to determine where her loyalties lie.

This animated film presents the journey of a queer person, exploring sexuality and the queer community. It illustrates an observation of the modern queer society and fantasies toward the freedom of gender fluidity, reflecting the real situation of the community where discriminations, freedom, and love coexist.​

Decadent, failing Mexico City family get life-lessons from rural visitors.