Libertad

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...

William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.

Prabha prepares to meet Nandini, his childhood friend, at a reunion party organised by his father. However, things take a turn when Nisha, a gangster's daughter, falls in love with him.

Local Bhojpuri politicians fight each other and unleash terror on villages in order to grab land from poor farmers after Pramod, a righteous young leader, dies.

After the death of Mr. Abduscan, Gonçal seeks revenge, with all his strength to finish off the Anthropomorphs, but they won't make it easy for them.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Amid the vast, sunlit farmlands, two young men engage in an everyday conversation about the struggles of rural life, from failing crops to financial pressures. Their quiet afternoon takes a somber turn when a third man arrives to chop down a tree that has been sold for a modest sum. As the axe strikes the trunk, the act becomes a powerful metaphor for the sacrifices forced upon those trying to make ends meet. Through understated visuals, विडंबन poignantly reflects the harsh realities and quiet resilience of rural life.

A loner finally gets out of his boring routine while having a bath.

As nuclear war looms, a woman must make a final phone call.

Documentary about the milk farmer Bertil Nilsson