Razors: The Return of Jack the Ripper

In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.

A man and his wife are partners in a small business, a service station, that is struggling to survive financially. They are visited by his brother, a divorced middle-aged man, who has taken a break from his stressful career in a big business corporation.

After Expedition Conquest, Nick Finley is pulled back into the hunt when a black market trader reveals a new prize linked to the ancient Copper Scroll. Old allies return, new faces emerge, and the search takes them further than ever before.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Here's what Judge David Johnson has to say about this film: Yes, there is a party, and some people do get slaughtered. Beyond that you're better off looking the other way and using your time more wisely. Go read a book. Or run for a position on your local school board. Or yodel for 90 minutes.

When Su-san invites his late friend's daughter to come along on a fishing trip, she falls in love with Hama-chan's fishing protégé.

In a village named Saroja town there are six men who formed the group six of Hell. They perform a variety of crimes such as looting, raping and killing villagers to obtain wealth and satisfy their evil desires. After successfully accumulate wealth so much, they agreed to stop their evil activities and bring their own path by using the wealth. Because of their greed, the hell Six decided to make their last robbery in the village town of Tower. Lived there with his wife Masmera Tantari merchant. Tantari set up shop selling clothes and fabrics. On the night of the robbery, Tantari been out on important business.

"Tacita Dean’s JG is inspired by her correspondence with Ballard regarding connections between his short story 'The Voices of Time' (1960) and Robert Smithson’s iconic earthwork and film SPIRAL JETTY (both works, 1970). JG is a 35mm anamorphic film shot on location in the saline landscapes of Utah and central California using Dean’s recently developed and patented system of aperture gate masking. An unprecedented departure from her previous 16mm films, JG tries to respond to Ballard’s challenge – posed to her shortly before he died – that Dean should 'treat the Spiral Jetty as a mystery her film would solve.' " - Anthology Film Archives

Visual effects experts Phil Tippett discusses the legacy of Ray Harryhausen.

Society torments four troubled teens, pressing them to become men before they are ready.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.