P.D.Q.

Charles Clemens, a ranch owner, sends a letter to Fred Church, his foreman, informing him that his son and daughter are coming to spend their vacation on the ranch. Church and the boys meet the stage, and to their amazement and secret joy, find that the boy is very effeminate. What the boys do to Clarence is a scream, hut his sister, who is more of a boy than he is, gets even with them for hazing her brother, and the boys are forced to take off their hats to her.

The evil is set to damper another Christmas season for the children's home. Can the Scooby gang warm his heart?

Three macabre short stories about gambling, vengeance and homicide.

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

This film focuses on the links between Maori tattoo artists from New Zealand (James Webster, Juliee Paama Penguely, Moko de la Terre) and those from French Polynesia (Roonui Anania, Chimé, Laurent Purotu). With interventions by specialists Sébastien Galliot and Michael Koch.

Samuel Ordoñez Ybarra, author of the self-help book "SOY", ruined the lives of more than a million people with his philosophy "make the impossible possible". “Losers” is the story of four of them.

Hami Nepali Hami Gorkhali is a Nepali music video story about Gurkha people

Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.

Father and mother Andersen and their four children live in a closed down farmside storehouse in the outskirts of Oslo. They enjoy life here, but the many neibours surrounding them are less enthusiastic about the family's lack of respect towards the supposed social order and decency they live by.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

A wealthy man is struck by wanderlust that always takes him to new places where he mingles with the lives of different people.

The film shows long-lost images of the early 20th-century Korean Peninsula, before the Korean War separated the North and South. The images include women spinning on cotton wheels, families making traditional tteok (rice cakes), a look at Dongsomun (Seoul’s ancient East Gate), which was destroyed just years later, and missionary activities in what is now North Korean territory. The footage was once stored in a German monastery, but later the Nazi government, which sided with Japan in World War II, tried to confiscate it because some of it could be interpreted as espousing a critical view toward the Japanese occupational regime in Korea. Fortunately, a monk saved the film, hiding it behind a stone wall in the basement before he died during the war. The film was rediscovered in 1975 during a renovation.