The Car Thief

A manic insane doctor escapes over the hospital wall and spends most of the movie either ranting and weeping in a hospital or running, babbling about his true love Olga or his surgery practice. Men are obsessed with their frantic careers and various preoccupations, discussing their medical procedures or playing with machines in frantic montages, many men are naked, discussing nudity, vomiting and comparing penises while the women are clothed, a man pulls plums from a woman and squashes them as some obscure symbolic act, there are religious rants, a female Jesus giving food to naked men on the last supper table only to have them vomit, hair is seen as the link to God with women puking hair from their mouths in more insane symbolic scenes, and finally, a bizarre scene of a naked man dancing in pantyhose with a clown.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.

We can easily say that our life is a game, not an ordinary one where you can determine the story, the space and the characters, but a game which comes with opportunities and traps, with gains and losses, a game we have to play every second, a game in which we are rooted. Sometimes we choose the virtual space in order to escape reality, but in the end it turns out to be just a way to avoid the real game, our everyday life. We see the big changes as new levels in our lives and we don't have the option to skip, our only choice is to play. So, the "Call of Pink" comes with the positive point of view that the world needs to overcome the real life levels, which we all know are the hardest to pass. Anyway, some details as creativity and fun are the things we should keep as weapons for the reality.

Judith decides to go on her own to the salsa-dancing night, even though her boyfriend, with whom she goes there every week, can’t accompany her. A stranger, with whom she briefly dances, offers to walk her home. Next morning, upon returning home, Judith refuses at first to accept that she’s a rape victim, but in the end decides to go to a doctor and press charges - which prove inadequate to have the rapist convicted. Under the influence of sweeping bodily and mainly psychological oscillations, Judith decides she has to follow an unorthodox path in order to prove the perpetrator’s guilt.

A money transporter is ambushed near the small Eifel village of Eschbach. The young LKA chief inspector Lona Schanz then determined in the village and its surroundings.

Two mismatched friends, students, each in their own way troubled by life, travel one day to a nearby beach, invoking a sort of playful innocence long believed spent along with their childhoods, in the hopes that doing so will restore both of their happiness. Alas, life seldom works out that way.

Catastrophic war, destroyed ecosystem, brink of extinction. War for the most valuable treasure of the time: water.

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

A spokesman rises to the top of the Greater Boston area spokesperson game.