At Land

Examines the human relationship with food by showing breakfast, lunch, and dinner.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

After being sent to a detention centre, a teenage skinhead clashes with the social workers who want to conform him to the status quo.

A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.

The villainous Dr. Fu Manchu races against a team of Englishmen to find the tomb of Ghengis Khan, because he wants to use the relics to cause an uprising in the East to wipe out the white race.

A young, Scottish RAF gunner is debriefed by French officials about his escape from Nazi-occupied territory. They are particularly interested in one person who may or may not have been a German agent.

Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.

"A Film About Coffee" is a love letter to, and meditation on, specialty coffee. It examines what it takes, and what it means, for coffee to be defined as "specialty." The film whisks audiences on a trip around the world, from farms in Honduras and Rwanda to coffee shops in Tokyo, Portland, Seattle, San Francisco and New York. Through the eyes and experiences of farmers and baristas, the film offers a unique overview of all the elements-the processes, preferences and preparations; traditions old and new-that come together to create the best cups. This is a film that bridges gaps both intellectual and geographical, evoking flavor and pleasure, and providing both as well.

Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.

Caleb is 27, and was raised in the majestic Kootenays by his bush hippie parents. He loves his father Jim and understands his reverence for wood working, coriander and Soya products, but he just doesn't get Jim's determined effort to achieve economic disaster at every turn. His father is a relentlessly unsuccessful business man, and as the junior partner in their carpentry shop, Caleb is powerless to stop the fiscal self sabotage. When Matthew, an old friend of Jim's, arrives in the valley to develop a high-end fishing lodge, Caleb sees fortune looming, provided he can keep his father distracted long enough. But a small deception leads to colossal betrayal, and soon Caleb must face the fact that he's reached that treasured day when a boy becomes man enough to tell his father get lost.

The last years of Bettino Craxi, one of the most important and controversial italian leader of the 1980's.

Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.