The Mix-up

Yousef is a naive employee who goes out on his day off to meet strange characters, including a wretch dressed like Charlie Chaplin and Said Marzouq, an eccentric multi-faceted billionaire, full of contradictions and ambiguity. While trying to find himself ,he becomes accused of murder.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

An old man is isolated in his home. Haunted by the loss of his beloved, he embarks upon a journey to return to her.

Nieri is an indigenous teenage boy from the Wirrarika culture, who is being indoctrinated by his father on the path of dreaming to reach the Blue Deer and become a Marakame. However, Nieri doubts about having the gift that is necessary to become a Marakame. His real dream is to play Mexican country music and to go to Mexico City to play there with his friends.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

In this show, Neville narrates stories about his struggles with his age, bring orphaned, adulthood, death, depression, divorce and suicide. This isn't the only thing that doesn't make it a regular stand up special, it's also that he's doing sitting down. He treats his audience like is therapist and pretty much leaves them bereft of hope but bloated with laughter. It's dark, it's poignant, it's melancholic but it's hilarious. Considered one of the comics with the darkest material in India, Neville doesn't disappoint. The topics he deals with are narrated anecdotally, making them approachable. He doesn't make fun of them; he makes fun about them. Afflictions, vulnerabilities and flaws are a part of human beings and Neville takes his feelings about them, analyses and then presents them. It's a perspective of someone who is going through them. And you see him crumble and rise with each story, you can also see him going downhill.

Film about an unemployed, socially handicapped bachelor who lives in a very small world. For his birthday, his mother gives him a young dog. The touching pup brings about a pleasant change in his lonely life. But the growing up of the small dog forces him to make a radical choice.

Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.

At the beginning of the summer of 2018, filmmaker Eli Hayes, who has been struggling with depression for his entire life, fell deep into the inky chasms of the disease. Days later, Hayes was called down to Tallahassee, Florida for a job opportunity. While in Florida, the despondency grew more severe and eventually took complete control of his psychological well-being. Over the course of the summer, good days would occur sparsely and sporadically; on these days, Hayes would bring his camera outside to film the beauty of his environment, despite knowing full well that the dejection would soon return. “A Florida Melancholy” is a landscape film of emotional survival, comprised of the footage that Hayes shot while in Florida throughout the darkest season of his life, during which all that he could rely on for hope & direction were his camera, and his surroundings.

Gerry and Rochelle are childhood sweethearts. Although Rochelle wants to settle down, Gerry wants his ambitions fulfilled first. The couple's relationship is threatened by the arrival of their childhood friend Tonette. Tonette seduces Gerry away from Rochelle by giving him a job, an apartment and herself. She agrees to share him with Rochelle at the same time hiring Rochelle as a maid. Things soon come to a head when Rochelle decides to leave Tonette's household after repeated attempts by Tonette's father, Don Teofilo, to defile her.

A group of lifelong mob movie extras mount a production of Shakespeare's Julius Caesar in their local Staten Island theater in order to finally get some speaking roles. But the theater is the secret hideout of a real-life gangster who fancies himself an actor, and whom the FBI are hunting for the recent murder of a Broadway producer. The Feds insert their own undercover agent to audition for the role of Cassius, seeking to determine who is the real gangster among a cast of make-believe criminals. All the while, the oblivious cast seek only to prove to themselves, their families, and friends that they are more than just extras.