Arabian Nights

When Victor attempts to seduce Elena, all he gets for his trouble is a one-way, six-year ticket to prison, where he concentrates on strengthening his mind, his body... and his desire for vengeance on the man who put him there. After his release and still madly in love with her, Victor will stop at nothing to win her over even if means revenge, for Elena has married David, the cop who sent him to prison!

Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

An anthology of four comic moral tales about the hypocrisies surrounding sex in 1960s Italy: frothy young love and office politics in the big city; milk advertisements that begin to haunt an aging prude; a trophy wife enduring her husband's very public affairs; a lucky ticket-holder at a small town fair.

Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.

During World War II, earnest young Russian soldier Alyosha Skvortsov is rewarded with a short leave of absence for performing a heroic deed on the battlefield. Feeling homesick, he decides to visit his mother. Due to his kindhearted nature, however, Alyosha is repeatedly sidetracked by his efforts to help those he encounters, including a lovely girl named Shura. In his tour of a country devastated by war, he struggles to keep hope alive.

A Polish priest arrives at a convent hoping to save the Mother Superior who is supposedly possessed by eight demons.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

Three women seek justice due to the difficult daily situation which sexual harassment causes in the streets of Cairo, Egypt.

Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.

Blue Rita runs a nightclub and gases and kidnaps men there for her pleasure and torture.

Director Gregory Nava's award-winning student film.

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.