The Clink of Ice

Pomme is a meek and mild French beautician whose life takes a fateful turn during a vacation to Normandy. She becomes the lover of middle-class literature-student François. The relationship sours when François takes her home to meet his parents, thanks in no small part to their differing social backgrounds.

Biographic film chronicling the last year of the life of the Italian painter Amedeo Modigliani, 1919, who falls in love with a girl from a wealthy family. Her parents are against this relationship and stop financial help. Modigliani worked and died in abject poverty in the Montparnasse Quarter of Paris, France.

The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

Sami and Patrick are long-time friends. Sami is a hypochondriac. One day, following a misunderstanding at the hospital, Sami thinks he has an incurable neurological disease. He decides to live his last moments to the fullest and goes to India to be treated by a great local "doctor". In the meantime, his friend Patrick, who has been accompanying and supporting him without knowing that this illness is in fact fictitious, finds himself without a wife or job. The initial situation seems to be reversed; Patrick is out of luck and Sami seems less and less ill.

Two ex-convicts, MG and Gilbert find refuge in a charming middle-class house whose couple is about to celebrate its 20-year old marriage. Our duo has no other solution than to take this entire brood in hostage. But, contrary to all expectations, they are warmly greeted by the occupants who don't think twice before helping them, they are even ready to put their guests off, even to kill them if necessary...

French director Isabelle Doval directs her husband, popular comedic actor José Garcia, in the comedy Rire et Chatiment (Laughter and Punishment). Vincent (Garcia) is a popular physician whose aggressive need to be funny and get people's attention annoys his girlfriend, Camille (Doval), to the point that she leaves him. He begins to suspect she might have been onto something when his behavior begins causing people to die.

Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.

A shaman from the South American rain forest visits France for a public relations campaign. In a hotel's elevator in Paris he meets a French good-for-nothing named Perrin he's fascinated with. He follows Perrin to his flat and although Perrin is not very enthusiastic about so much interest in his person, he lets the shaman spend the night in his flat. After an official meeting on the next day being part of the PR campaign the shaman suffers from a heart attack. Hardly being able to speak and laying in a hospital bed he demands to see Perrin. The latter is not very interested in meeting the shaman again. However it looks like it is to late for animosities as the shaman and Perrin seem to be tied mentally somehow since they've met in the elevator.

An FSB officer falls in love with his agent, an American woman who works as a trader in a Russian bank.