Tracey Breaks the News

Comedy special spotlighting Tracey Ullman’s larger than life character Ruby Romaine from HBO's Tracey Takes On (1996–1999). After an illustrious career, veteran Hollywood makeup artist Ruby has decided to call it quits. Or has she? In her makeup trailer, Ruby tells a series of hilarious tales and explains why she reconsidered her retirement. With Debbie Reynolds, Jane Kaczmarek.

Four lifelong friends head to a remote lodge for a weekend of fun. What begins as an idyllic retreat quickly descends into a fight for their lives when a local Pagan cult offer them up to their Goddess as a sacrifice for the Solstice.

Six vignettes pit an assortment of characters against each other in everyday situations.

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

Using each other as alibis, two friends sneak off to indulge in secret affairs — but their elaborate web of lies unravels when one of them goes missing.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

A young scholar named Yangsheng who gets married to the beautiful daughter of a local merchant. When their sex life proves unsatisfactory, Yangsheng leaves home and journeys to the Pavilion of Ultimate Bliss.

Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.

Paris, France. Commissaire Wens is put in charge of the investigation into the murder of one of six friends who, in the past, made a very profitable promise.

After participating in a séance, young Laura begins to behave strangely. Alarmed, her parents ask Father Olmedo, one of the few exorcists authorized by the Vatican to intervene in cases of demonic possession, for help.

In Oklahoma, Agnes, a lonely waitress living in an isolated and dilapidated roadside motel, meets Peter, a quiet and mysterious man with whom she establishes a peculiar relationship.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.