Farewell Halong

Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.

One time bickering neighbors are forced to share the same apartment. The cultural clash between traditional-orthodox-India and modern-urban-India. The collision of two cultures creates havoc in the beginning but finds a peaceful co-existence, at the end. An orthodox boy from the holy city of Banaras, is forced to stay with a chorus dancer in Bombay... The film does the journey of these two opposite personalities and how, after the initial phase of rejection, they find each others place in their respective lives.

A plague ravages Buenos Aires. Those affected by it are executed on the spot; those who are healthy should report to the authorities. Escaping both from the authorities and from the disease, seven survivors head south.

When a young musician and his wife become witness of a bank robbery they get in the midst of a political conspiracy with the risk of losing their lives.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

The loser Yaroslav returns to his homeland from a long journey, where he tried to know himself and the universe. The return falls on the birthday of his son, for whom he has long ceased to be an authority. Based on new values, Yaroslav is trying to confront obstacles and improve relations with the child. But the acquired concepts do not work well in the megalopolis, and my son needs something more than words...

Almost Elvis is a searing documentary that chronicles and attempts to explain the cult of personality that is the Elvis impersonator. Filmmakers tail a handful of Elvis impersonators from around the country who are all vying to win the 1999 Elvis World Championship in -- where else? -- Memphis, Tennessee.

A beautiful stranger, Yan-Hong (who is one of the Roses), wanders into Inspector Liang's office, takes her gear off, then turns him into a zombie-servant of the Evil God. Policeman Cheng tries to get his wife, who is also an Inspector and his boss, in the mood for sex, but she handcuffs him and walks off. Ah-Kong and his sister, Sao Mui, are out for a stroll. Ah-Kong is also trying to stop his lovely wife Mannie from posing for nude modelling. Yan-Hong is arrested by Cheng and is interrogated, then she reports to her superior, the leather-clad Dai-Jeh ("Big Sister"), who practices her evil laugh and hands out a whipping as punishment. Later, a dozy Taoist priest is called in to exorcise the Beauty and her Evil Roses. The priest fails, but lays the groundwork for the final showdown between good and evil.

A U.S. soldier comes to Korea and tracks down his biological father in jail.

The rich, aristocratic Katarina Hassel have an architect renovate her mansion. Katarina fall in love with the young architect, Gunnar Stenwall. Alas, he doesn't fall in love with her. But perhaps if Gunnar would meet her identical sister, who works in Stockholm as a waitress, he would fall in love with her instead? So Katarina travels to Stockholm to act as her non-existing sister.

Desperate to save her own life, a miller's daughter makes a bargain with a strange elf-like character. When she cannot cover her debt she is faced with a challenge.

Old Mother Riley loses her laundry job and then battles her ex-boss in a parliamentary election.