Villain & Widow

An urban office worker finds that paper airplanes are instrumental in meeting a girl in ways he never expected.

A brilliant math teacher formulates the perfect cover-up after his neighbor murders her abusive ex-husband.

Han Gil-ho wants to become a public servant, but so far has failed the civil service exam. His real interest is writing a kung-fu comic book which he has titled I'm a Public Official, featuring a crime-fighting bureaucrat and his two nerdy friends (based on himself and his slacker friends Min-gu and Park). Gil-ho then meets Kim Jung-sook, when he tags along to a meeting where she berates Min-gu into taking responsibility for her pregnant best friend Seung-hee. Gil-ho and Jung-sook realize that they knew each other years ago in college, when she was geeky and similarly hot-tempered and Gil-ho couldn't stand her. After unexpectedly sleeping together after a party, the two begin dating and eventually move in together, with Jung-sook having a regular job as a manager at a water-purifying company. Gil-ho gets an offer from a comic book publisher, but his lack of ambition and inability to commit to anything start to take their toll on their relationship.

The first film to fully expose the humanitarian crisis of North Korea, this stylish, deeply moving documentary is centered around astonishing interviews with survivors of North Korea's vast and largely hidden prison camps, and interspersed with archival footage of North Korean propoganda films and original art performances.

Two Minions are busy at work in the mailroom. One of them, bored, decides to throw a box of expired PX-41 samples into its designated chute.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

An ex-MI6 agent is thrown back into the world of espionage and high stakes to uncover the shocking truth about operations conducted by unknown secret services.

Charley Thompson, a teenager living with his single father, gets a summer job working for horse trainer Del Montgomery. Bonding with an aging racehorse named Lean on Pete, Charley is horrified to learn he is bound for slaughter, and so he steals the horse, and the duo embark on an odyssey across the new American frontier.

Three strong-willed women strive to forge their own paths amidst the wide-open plains of the American Northwest: a lawyer forced to subdue a troubled client; a wife and mother whose plans to construct her dream home reveal fissures in her marriage; and a lonely ranch hand who forms an ambiguous bond with a young law student.

Four couples gather for dinner the night a mysterious and powerful comet passes overhead.

Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken. His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device.

Andy is a new teacher at an inner city high school that is unlike any he has seen before. There are metal detectors at the front door and the place is basically run by a tough kid named Peter Stegman. Soon, Andy and Stegman become enemies and Stegman will stop at nothing to protect his turf and drug dealing business.