Tamagotchi: Happiest Story in the Universe!

The first movie in 9 years for Tamagotchi. The film premiered alongside Kami-sama Minarai: Himitsu no Cocotama Movie.

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

Father and mother Andersen and their four children live in a closed down farmside storehouse in the outskirts of Oslo. They enjoy life here, but the many neibours surrounding them are less enthusiastic about the family's lack of respect towards the supposed social order and decency they live by.

A compilation of three videos recorded during a private, invitation-only gig at The FunHouse in Bisbee, Arizona (where Stanhope lives, the audience is comprised of his close friends and neighbors) in 2016. Previously available as clips on YouTube, Stanhope released the three, 20-minute clips himself direct to streaming services, including Vimeo and Amazon, in late 2017.

Jun Hau Timi is a romantic tale of unexpected love in the heart of London. Samir, a dashing and fitness-conscious man from Nepal, is searching for the perfect partner. Shristi, a young and beautiful woman from India, is exploring life in the United Kingdom. One day, Samir decides to visit Tower Bridge in London. As he stands admiring the iconic landmark, he notices Shristi walking nearby. Captivated by her beauty, he approaches her and introduces himself. Shristi warmly responds, and the two strike up an instant connection. Eager to share the city's charm, Shristi takes Samir on a tour of London's landmarks, including London Bridge and other picturesque spots. Their friendship deepens as they spend more time together, and a spark of love begins to grow. The story conveys a simple yet profound message: love can happen anytime, anywhere, with someone who feels like destiny

A deep dive into gaming culture through two not-so-reliable representatives of the community.

Slides of mountains found at Zora Film, a company that produced educational films in the 1950s. Intended to be used as visual tools during geography classes, are reanimated through various digital and analogue techniques.

The movie will be based on the Plaid Hat tabletop game, created by Jerry Hawthorne, which is a role-playing adventure following players loyal to the king who are imprisoned in a seaside castle and turned into mice by the evil Vanestra. They must fight their way out of the castle as they face dangerous foes including rats, cockroaches, spiders and the castle’s house cat, Brodie.

Ana, a mysterious nurse, is hired to take care of Oli, an old sick man in his last days. The relationship becomes uncomfortable when she reveals a past that they had apparently shared. “Nocturne” is the intimate encounter between two lonely people seeking to settle accounts with the past. It’s a dark nightmare between the two.

Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)

Juha is a sales manager of a refrigerator company. His perfect-looking family and glittering array of modern kitchen appliances have just been featured in a magazine article, but in reality Juha is a womanising chauvinist more at home on the road than with his family.