The Craft: Legacy

A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them -- be they teachers, rivals or meddlesome parents.

Although Jason works as a department store clerk, he is also a reincarnated prince. Long ago, his beloved Jessie was snatched away from him by an evil wizard who used his powers to transform her into wooden statue. Now Jessie is in Jason's department store as a mannequin. When he encounters her, she awakens from her thousand-year sleep. They quickly revive their romance, but the evil wizard has been reincarnated as well, and he's up to no good.

Peter returns to his Transilvanian hometown, Valan, where a dead body was found in the snow-capped mountains. The investigation about his 22 years missing sister leads him to the maze of grave sins of present and the past, where he has to fight not only with local criminals but his own demons too.

Ingrid and her siblings are on the run from the Beserkers who have begun invading the villages, taking over, savagely using the residents on a game where they vs a Beserker, and if they win, they get to survive - only, no one ever wins. The siblings are trying to escape the Beserkers after they violently murdered and took over their town. However, the Beserkers are on their trail, and want to put them in the game.

Long before they socialized almost every day at Dona Jô's pension, Jéssica, Ferdinando and Máicol didn't even know each other. But when Terezinha decides to organize a big feijoada at Morro do Cerol, they all meet for the first time, in the most unusual way possible.

After losing her boyfriend, Moni decides to focus on her thesis, which consists on chocolate pastry-making. When she starts seeing other guys, the ghostly figure of her abusive boyfriend Javi appears, provoking funny situations since Moni is the only one who sees him.

In the middle of a mysterious insomnia epidemic that slowly takes on catastrophic dimensions, Laura (39) and Augusto (42) flee the city in their motorhome to get away from the chaos. As they move down the route, the world becomes an increasingly strange and dangerous place. Finally, Laura reveals a story that changes everything. The road is depopulating, the silence grows and it is increasingly difficult to differentiate the reality from the dream.

The life of Makham and his gang, once well-treated dogs, takes a turn for the worse when they are abandoned. Still, they believe in the existence of a blissful land, supposedly a heaven for dogs, and set out on a journey to find it.

Joy is the new maid of a royal house, whose previous maid disappeared under mysterious circumstances and is now haunting and terrorizing the family. Joy works to uncover the reason behind the former maid's disappearance.

Undercover U.S. agent Bill Wilson makes the bust of his career taking down a cartel leader. Hiding the evidence in his home exposes his family to a brutal targeting on the night of the annual Purge, the deadliest night of the year.

Tech tycoon, Clay Amani, retreats to an off the grid location in search of meaning and peace, with disconnected siblings and their offspring, only to be caught in a bone-chilling killing spree within his new estate.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.