Prem Geet

Widower Ram Kapoor lives a very wealthy lifestyle in Bombay, but is very lonely, as his only child, a son named Rajesh, lives abroad, and his aged dad, Diwan Bahadur, lives in the village. Ram frequently throws lavish parties to overcome this loneliness. This changes when Rajesh returns home, and he is able to convince Diwan also to return so that the three could live together. Shortly thereafter differences crop up between Rajesh and Diwan - initially on love and marriage; then on Caste issues; then the marriage of Rajesh, which is arranged with Diwan's friend, Thakur Janak Singh's daughter, Rukmani, while Rajesh wants to marry Monica. Things come to such a pass that Ram decides to leave, takes to women and alcohol in a big way, and becomes the subject of a big scandal.

When an ancient dragon awakens from its slumber beneath the earth, it’s up to the witches Yok, Claire and Aimottle to save thier village from destruction.

Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.

MARIANNE (Evabritt Strandberg) is a 68-year old woman diagnosed with a terminal disease. Left with angst, she seeks therapy at a clinic where she is treated with Psilocybin (LSD) and meditation by a counselor, Eva (Hanna Schygulla). Through this she is transferred to her subconscious, where she meets and confronts her 25-year old self and her former husband.

Mark Howard sits down with Nathan Lyon to discuss the Australian Test spinner's career and reflect upon his 100th Test match and 400th Test wicket.

When Su-san invites his late friend's daughter to come along on a fishing trip, she falls in love with Hama-chan's fishing protégé.

Bartender at Large is a love letter to the art of bartending and the world of craft cocktails. It provides an examination into the modern cocktail renaissance, and allows you to experience it all through the lens of one bartender’s road trip. The trip itself takes viewers behind the scenes on a trek across the western U.S., from a speakeasy in Denver to a dive bar in Tucson to an elegant hotel bar in Santa Fe. In addition, the film highlights the perspectives of those benefiting by the cocktail’s recent boom—local farmers, small distillers, eager customers—but most importantly it showcases the one who puts it all the together; the bartender. This is a film, which tells a story that is every bit as intoxicating as the beverages it describes.

Mexican feature film

A poet gets dejected with the materialistic society around him. The only person he gets some sympathy from is a washed out working girl who gives him shelter. Rejected by publishers, he gains fame when his death is reported by a newspaper.

A young widow, an aging widower-returnee, and a priest from a bankrupt parish are struggling to come to terms with the post-war environment, complete with its prejudices, illusions, and unpleasant mentality. What follows is a romantic comedy set in rough landscape, about a woman who falls in love with a local priest. He is not blind to her love, but is unable to choose between the church and her, until the circumstances force him to make his choice.

Camil, a writer who suffers from a psychological block, stops feeling her partner. He focuses his energy on his latest book called "She Was Always There" and becomes obsessed between his writings and Bhela. Until they meet again underwater.

A day at the factory. Bekel is called to the boss. Through a chain of events the two men are forced to examine their place in this world.