NJPW G1 Climax 29: Day 15

The sixteenth night of the 29th edition of the G1 Climax featuring B Block matches. Taking place at the Yokohama Cultural Gymnasium in Kanagawa, the show is headlined by Tomohiro Ishii vs. Shingo Takagi.

A Confederate soldier returns from the dead to take revenge on three officers who betrayed his unit in battle.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

Haunted by a mysterious super-pilot, a young glider pilot first flees, then confronts his challenger. Nominated for an Academy Award. Preserved by the Academy Film Archive in 2013.

A lonely Inn becomes a setting for survival against a monstrous visitor.

At the Crossroads of Life is a typically Victorian-style melodrama in which a girl's wishes to be an actress are condemned by her stern father, a man of the cloth who has no time for those in the acting profession.

At a small New York theatre, an ageing magician comes up with a devilish plan to save his piece of old New York by invoking some real black magic. Harsh realities and fantastic illusions come together in BLACK MAGIC FOR WHITE BOYS, Onur Tukel’s latest film, a bizarre comic adventure about gentrification, race and bodily autonomy in New York City. With over 50 minutes of new footage, Tukel has completely reworked a project initially presented in 2017 as a four-episode series at Tribeca into a gnarly and charmingly weird dark comedy. Balancing edgy misanthropy with a strain of silly sweetness, this is an intimate low-budget parable about the changing face of New York City.

Once upon a time in the Wild West of China, there was a group of strangers who waited on a mysterious man that never came.

In a dilapidated little apartment in Vesterbro, Mrs. Knudsen lives with her incompetent and petty criminal son Arnold. Arnold's friend Benny also hangs out in the apartment at all hours, even though there is tension between the two companions. When a pretty girl accidentally rings the doorbell and ends up moving in, the battle between the two rivals breaks out into the open, and there is little room left for old Mrs. Knudsen.

Robert Lachmann was a German-Jewish ethnomusicologist. In the 1930s, his radio show "Oriental Music" explored the musical traditions of Palestine and included regular live performances by musicians from different ethnic and religious groups. Inspired by Lachmann’s musicological studies, Palestinian artist Jumana Manna travels through Israel and the Palestinian territories of today with recordings from the programme. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians?