Raízes do Sertão

On a visit to the interior of Piauí, Paula is kidnapped by a maniacal ex-boyfriend. In captivity, she meets Joaquim, a good man who made wrong choices in life. Feeling a mix of despair and faith, Paula decides to evangelize him while awaiting rescue.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.

Speculative "documentary" about alien visitations on Earth, UFO sightings and how aliens are responsible for pretty much every conspiracy theory, paranormal encounter and cryptozoological sighting in history. (Also Jesus. No, really.)

The film was shot on the story of Valentin Pikul “Go and do not sin”, which tells about the real events that took place in Russia at the beginning of the 20th century. The story of the young beauty Olga Palem from a poor large family is replete with tragic events. Olga's passionate disinterested love for student Alexander Zapolsky becomes her evil rock. Spoiled and selfish, Alexander is not able to appreciate her feelings. Exhausted by humiliation, a young woman kills her lover. The high-profile trial of Olga Pale becomes a sensation that stirred up the whole of Russia ...

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

This film is an adaptation of Jean Amila's novel Le Boucher des Hurlus. The story, set in the aftermath of the war, is about Michel, a young man orphaned in this manner. He lives with his mother until she collapses under the wave of vituperation from the women in her community, who consider her murdered husband to have been a traitor. When he is sent to an orphanage, he discovers that many of the children in it are there for the same reason he is. Michel decides to escape his captivity and kill the general who ordered his father's death. He and the other children like him are able to get away from the orphanage, in the course of their journeys, they tour the grim battlefields of the recent war. Together, they return to Paris, determined to exact their revenge.

25-year-old Arghavan lives with her parents in Tehran, and intends to marry her fiancé, Hesam. One day, her short stories win her a grant to attend a writing workshop in Germany. Soon before she is to leave, however, Arghavan is abducted and raped. In a strict, conservative society where young women are expected to be virgins before marriage, this is a social catastrophe. Plagued by gossip and finding little solace, Arghavan's life begins turning into a nightmare.

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.