Yesterday's Girl

Risque jokes acted out in short skits.

Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)

When Su-san invites his late friend's daughter to come along on a fishing trip, she falls in love with Hama-chan's fishing protégé.

A money transporter is ambushed near the small Eifel village of Eschbach. The young LKA chief inspector Lona Schanz then determined in the village and its surroundings.

Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

A direct stare into masculine interaction as we follow three boys in their mid-twenties, António, Xavier and Miguel testing the limits of their sexual flexibility.

We can easily say that our life is a game, not an ordinary one where you can determine the story, the space and the characters, but a game which comes with opportunities and traps, with gains and losses, a game we have to play every second, a game in which we are rooted. Sometimes we choose the virtual space in order to escape reality, but in the end it turns out to be just a way to avoid the real game, our everyday life. We see the big changes as new levels in our lives and we don't have the option to skip, our only choice is to play. So, the "Call of Pink" comes with the positive point of view that the world needs to overcome the real life levels, which we all know are the hardest to pass. Anyway, some details as creativity and fun are the things we should keep as weapons for the reality.

A romantic comedy about a twenty three years old Kirill who suddenly decides to become a gigolo.

Through real charming images, toys and animations this video presents the domestic, farm and forest animals to the preschool children. Using a rich musical score by Beethoven, Strauss, Chopin and the wonderful Brazilian songs that tell stories of animals, Bebe Mais: Bichos entertains and educates at the same time. Based on studies showing that music has a role in mental and emotional development of children, the video encourages logic, concentration and creativity while providing a unique opportunity of union and pleasure between parents and children. Carefully designed to entertain and stimulate baby's immense resources, the video also presents curious characters, who - like young children - are discovering the world around them.

Three men in a shared apartment, 54 square meters in Berlin Kreuzberg. You sleep in the kitchen, bathroom and half room. Junkies, ex-knackis and alcoholics between Hartz IV, the next shot, vodka and beer - the nightmare of any bourgeois neighborhood. Andi dreams of his own apartment, Dieter has to go into construction for 100 days, and Wolfgang writes poems. In the claustrophobic narrowness of this community of foggy spirits, happiness and love act like shadows of a time long gone by. As it comes to stirring moments in the dirt, chaos and despair, the conflicts break through increasingly stronger: the electricity bill, the rent, the stolen sweaters. But Andi brings the seemingly paradoxical of her situation to the point: "No person likes to live alone!"