WWE Capitol Punishment 2011

TLC: Tables, Ladders & Chairs (2010) was a PPV that took place on December 19, 2010 at the Toyota Center in Houston, Texas. It was the second annual TLC: Tables, Ladders & Chairs event. The main event was a non-title Chairs match between John Cena and Wade Barrett. Kane defended the World Heavyweight Championship in a Four-Way TLC match against Edge, Alberto Del Rio, and Rey Mysterio while The Miz defended the WWE Championship against Randy Orton in a Tables match. Other matches include a Ladder match between John Morrison and King Sheamus to determine the number 1 contendership for the WWE Championship, a Tag Team Title rematch between Santino Marella with Vladimir Kozlov against Just Gabriel and Heath Slater, and a Triple Threat Ladder match for the Intercontinental Championship between defending champ Dolph Ziggler, Kofi Kingston, and Jack Swagger.

The class of 2016 takes their rightful place in the Hall of Fame, during Wrestlemania 32 weekend.

Extreme Rules was a PPV presented by WowWee's Paper Jamz, which took place on May 1, 2011 at the St. Pete Times Forum in Tampa, Florida. It was the third Extreme Rules event. The main event was a Triple Threat Steel Cage match for the WWE Championship with The Miz defending the title against John Cena and John Morrison. Another main event was a Ladder match for the vacant World Heavyweight title between Christian and Alberto Del Rio. The undercard featured a Lumberjack match for the WWE tag team Championship between The Corre and Big with Kane, Mysterio fought Cody Rhodes in a Falls Count Anywhere match, Sheamus defended the US Championship in a Tables match against Kofi Kingston, and Randy Orton wrestled CM Punk in a Last Man Standing match.

History was made at The Biggest Event of the Summer, where Brock Lesnar went into Beast mode against The Viper, an inaugural WWE Universal Champion was crowned, and much more.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Hami Nepali Hami Gorkhali is a Nepali music video story about Gurkha people

Follow a normal day in the life of three abnormal people to see what it's like to walk in another person's shoes for a day. Shot entirely in subjective camera, the audience will experience a day in the life of these three characters by hearing their internal monologue, dialog, and by seeing what they see as they go about their daily business. Since the movie is all about perception, all three characters lives intertwine in a scene that each character perceives completely different, leaving the audience to decide for themselves what really happened on this normal day. Each characters lives twist and turn as the movie progresses into a fun, yet different, cinematic adventure.

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Five ex-soldiers go to a small town in Oregon to help a friend investigate the murder of his brother.