Accident

Features interviews with the cast and crew of Re-Animator (1985), except for the late David Gale.

Kumiko is now a second year and one of the senior players of the euphonium section. With new underclassmen joining the concert band, Kumiko will have to learn new things in order to deal with awkward and difficult underclassmen. She and third-year trumpeter Tomoe Kabe have been chosen to lead the new underclassmen members. Among the new members to Kumiko's bass section are euphonist Kanade Hisaishi, whose appearances are deceiving; tuba player Mirei Suzuki, who cannot adapt to her new environment; tuba player Satsuki Suzuki, who wants to get along with Mirei; and double bassist Motomu Tsukinaga, who cannot talk about himself. Between the Sunrise Festival, chair placement auditions, and the competition, a number of problems quickly begin to arise.

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

A family of four is quarantined in their home as a virulent strand of the flu spreads into town and they are forced to the extreme to escape alive.

A young bank teller, literally allergic to paper money, becomes the worst nightmare of his best customer, a wealthy butcher who manages his business unscrupulously.

Celebrities re-create an original episode each from "All in the Family" and "The Jeffersons."

Sir James Forbes arrives in a remote Cornish village to identify a mysterious plague afflicting the population. Local squire Charles, a disciple of Haitian witchcraft, is using the voodoo magic to resurrect the dead to work in his decrepit and unsafe tin mines that are shunned by the local population. But his magic relies on human sacrifice and he unleashes his army of the undead on the unsuspecting village with horrific consequences.

High school senior Alex has an encounter with mysterious lights that appear over her small town. She soon develops dangerous, supernatural abilities, and turns to her childhood friend Sean. The authorities target them and a chase ensues as officials try to discover the truth behind Alex's transformation.

A group of ex-resistance fighters are brought together by Marie-Octobre, the code name of Marie-Helene Dumoulin. The former members of the network have carried on with their lives after the war, but this evening they are going to have to live again a fateful night – the night their leader was killed. He had been betrayed, his name given to the Germans. The search for the traitor puts each personality in the spotlight – and also that of the killed leader, Castille.

Three tales of privileged youth entangled in murder: French students kill for money, an Italian student smuggles cigarettes, and an English poet exploits a grim discovery.

Billie Holiday spent much of her career being adored by fans. In the 1940s, the government targeted Holiday in a growing effort to racialize the war on drugs, ultimately aiming to stop her from singing her controversial ballad, "Strange Fruit."

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.